{"id":123,"date":"2009-01-22T06:27:14","date_gmt":"2009-01-22T05:27:14","guid":{"rendered":"http:\/\/nugu.lt\/KIT\/archives\/123"},"modified":"2009-02-01T06:39:48","modified_gmt":"2009-02-01T05:39:48","slug":"slowtv-why-rush","status":"publish","type":"post","link":"https:\/\/nugu.lt\/KIT\/archives\/123","title":{"rendered":"slowTV-Why rush?"},"content":{"rendered":"

The Television of Everyday Life
\nor:
\nEverything is Connected<\/strike> Corrected<\/p>\n

What\u00e2\u20ac\u2122s the Rush: A manifesto on Television as a research method<\/strong><\/p>\n

1.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d Is more like it is now than it ever was before
\n2.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d is rarely televised.
\n3.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d is live.
\n4.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d can change what has not yet happened.
\n5.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d changes as things happen.
\n6.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d happens as things change.
\n7.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d is John Lydon (formally Johnny Rotten of the Sex Pistols), realising that he is the reincarnation of John of Leyden (the radical Dutch Anabaptist heretic), who in 1534 was proclaimed king of the German town of M\u00c3\u00bcnster, the new Jerusalem, and therefore the whole world.*
\n8.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d is a long-time member of the slowTV group, realising at the tender age of ten that nothing is black and white, due to what he is told by one of his best friends, John the school bus driver. The revelation was that John would be voting for Margaret Thatcher\u00e2\u20ac\u2122s Tories. \u00e2\u20ac\u0153Fucking hell\u00e2\u20ac\u009d, thought the young boy, \u00e2\u20ac\u0153and I thought you were such a nice bloke\u00e2\u20ac\u009d.
\n9.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d are pragmatists fascinated by idealists fascinated with themselves.
\n10.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d is Duba Sambolec as Laura Palmer.
\n11.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d is still aloud to smoke inside.
\n12.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d is Captain of the spaceship \u00e2\u20ac\u02dcSS Proposed Hermitage Guggenheim Museum\u00e2\u20ac\u2122 which will allegedly soon be docking in Vilnius, Lithuania.
\n13.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d met a traveller from an antique land
\nWho said: Two vast and trunkless legs of stone
\nStand in the desert. Near them on the sand,
\nHalf sunk, a shatter’d visage lies, whose frown
\nAnd wrinkled lip and sneer of cold command
\nTell that its sculptor well those passions read
\nWhich yet survive, stamp’d on these lifeless things,
\nThe hand that mock’d them and the heart that fed.
\nAnd on the pedestal these words appear:
\n“My name is Ozymandias, king of kings:
\nLook on my works, ye Mighty, and despair!”
\nNothing beside remains: round the decay
\nOf that colossal wreck, boundless and bare,
\nThe lone and level sands stretch far away.
\n14.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d is a pare of half coconut shells used to synthesize the sound of horses hooves.
\n15.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d is Norway as Angel Matos, the Cuban taekwondo athlete who along with his coach was banned for life from his sport for life for kicking the Swedish referee following his bronze medal match disqualification during the 2008 Beijing Olympics.
\n16.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d is Art\u00c5\u00abras Zuokas, former mayor of Vilnius, Lithuania, as Marlow, the narrator of Conrad\u00e2\u20ac\u2122s Heart of Darkness.
\n17.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d is David Lamignan Larsen as the great great grandson of Wilhelm Reich.
\n18.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d is HD ready.
\n19.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n20.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n21.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n22.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n23.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n24.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n25.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n26.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n27.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n28.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n29.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n30.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n31.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n32.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n33.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n34.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n35.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n36.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n37.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n38.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n39.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d
\n40.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d<\/p>\n

————–<\/p>\n

* For further information on this subject, the text which we have manipulated and paraphrased, read: Lipstick Traces: A Secret History of the 20th Century By Greil Marcus, Faber and Faber Limited, 2001<\/p>\n","protected":false},"excerpt":{"rendered":"

The Television of Everyday Life or: Everything is Connected Corrected What\u00e2\u20ac\u2122s the Rush: A manifesto on Television as a research method 1.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d Is more like it is now than it ever was before 2.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d is rarely televised. 3.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d is live. 4.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d can change what has not yet happened. 5.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d changes as things happen. 6.\u00c2\u00a0\u00e2\u20ac\u0153slowTV\u00e2\u20ac\u009d happens […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-123","post","type-post","status-publish","format-standard","hentry","category-live-art-at-khus-oslo"],"_links":{"self":[{"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/posts\/123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/comments?post=123"}],"version-history":[{"count":0,"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/posts\/123\/revisions"}],"wp:attachment":[{"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/media?parent=123"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/categories?post=123"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/tags?post=123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}