{"id":51,"date":"2005-01-26T12:05:49","date_gmt":"2005-01-26T11:05:49","guid":{"rendered":"http:\/\/nugu.lt\/KIT\/archives\/51"},"modified":"2005-01-26T12:05:49","modified_gmt":"2005-01-26T11:05:49","slug":"interaction-postproduction-and-relational-esthetics","status":"publish","type":"post","link":"https:\/\/nugu.lt\/KIT\/archives\/51","title":{"rendered":"interaction, postproduction and relational esthetics"},"content":{"rendered":"<p>Sum up of the second week: thoughts and links.<\/p>\n<p>We started addressing notions of social interaction, postproduction and relational esthetics discussed by the French theorist Nicholas Bourriaud, a curator at the Palais de Tokyo in Paris in his &#8220;Relational Aesthetics&#8221;, where he discusses intervention,<br \/>\nprovocation, documentary, archives, uncanny, hybridity.<\/p>\n<p>links to consider:<br \/>\n<a href=\"http:\/\/www.boiler.odessa.net\/english\/raz1\/n1r1s02.htm\">http:\/\/www.boiler.odessa.net\/english\/raz1\/n1r1s02.htm<\/a><br \/>\n<a href=\"http:\/\/www.gairspace.org.uk\/htm\/bourr.htm\">http:\/\/www.gairspace.org.uk\/htm\/bourr.htm<\/a><br \/>\n<a href=\"http:\/\/www.sanalmuze.org\/etkinliklereng\/nicolasbourriaod.htm\">http:\/\/www.sanalmuze.org\/etkinliklereng\/nicolasbourriaod.htm<\/a><\/p>\n<p>we wanted to stress the notion of encounter of art &#038; public-<br \/>\n&#8220;Art Meets Everyday Life&#8221;.<\/p>\n<p>Next to this we mentioned Jakob Jakobsen and Manifesto of<br \/>\nThe Copenhagen Free University:<br \/>\n<a href=\"http:\/\/copenhagenfreeuniversity.dk\/allpow.html\">http:\/\/copenhagenfreeuniversity.dk\/allpow.html<\/a><\/p>\n<p>check the KLARTEXT! symposium in Berlin that stages discussion on relationship between art and politics, politicization or art and issues of activism.<br \/>\nYou can find some interesting people.<br \/>\nLook for &#8220;Yes Men&#8221; (their new DVD comes out next week so I try to get hold of it):<br \/>\n<a href=\"http:\/\/www.klartext-konferenz.net\/participants.html\">http:\/\/www.klartext-konferenz.net\/participants.html<\/a><\/p>\n<p>look at the links of participants, as some of the theorist\/artists might be useful to consider: Chantal Mouffe, Brian Holmes, Simon Sheikh, Irit Rogoff, Chto delat?, Francesco Jodice\/Multiplicity;<\/p>\n<p>look at the Russian recent initiative, publication and website:<br \/>\n<a href=\"http:\/\/www.chtodelat.org\/\">http:\/\/www.chtodelat.org\/<\/a><\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br \/>\nextra:<br \/>\n&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<br \/>\nin this context I proposed you not to forget the opportunity to take part at RAM7:Models of Collaboration<br \/>\nweb is on (!): <a href=\"http:\/\/ram7.art375.org\/\">http:\/\/ram7.art375.org\/<\/a><br \/>\nthis workshop-event is from series <a href=\"http:\/\/www.ram-net.net\/\">www.ram-net.net<\/a><br \/>\ncontact Kristin Bergaust about that.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>we introduced our interest in script as part of a convex apparatus of media (again relational mechanism) and how it is employed by institutions\/corporations. To illustrate this i &#8220;borrowed&#8221; few &#8220;webisodes&#8221; with comedian Jerry Seinfeld and an animated Superman as part of ad campain for American Express:<br \/>\n<a href=\"http:\/\/www.unpluggedstudio.com\/\">http:\/\/www.unpluggedstudio.com\/<\/a><\/p>\n<p>look at the link this example builds with project line based on Ann Lee, a character from Japanese animation (anime) whose\u00c2\u00a0 rights were acquired\u00c2\u00a0 by artists Pierre Huyghes and Phillipe Parreno to create a new life for the manga, under the title &#8220;NO GHOST, JUST A SHELL&#8221;.<\/p>\n<p>We introduced notion of the &#8220;script&#8221;, which is employed not only in our work and language, but is crucial part of cultural discourse at large. We would suggest to look<br \/>\nat this reference in the discussions and construction of the works.<\/p>\n<p>For a beginning few links, that might give you a fresh insight (and fun as well), work by Norman Klein \/ Lev Manovich (1998):\u00c2\u00a0<br \/>\n<a href=\"http:\/\/www.manovich.net\/FLN\/\">http:\/\/www.manovich.net\/FLN\/<\/a><\/p>\n<p>and the other links you with the<br \/>\nseminal text by Mark Rakatansky &#8220;Spatial Narratives&#8221;, (1991)<br \/>\n<a href=\"http:\/\/www.transaction.lt\/KIT\/KIT_1.rtf\">http:\/\/www.transaction.lt\/KIT\/KIT_1.rtf<\/a><\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<br \/>\nKIT_COOKING_TV slot @ CAC\/TV<br \/>\nthink about it!<br \/>\nit could be a great fun and smart thing if you do it.<br \/>\nstage a group meeting next week just yourselves and discuss.<br \/>\nwe need to know your feedback by the end of next week.<\/p>\n<p>as an example you may look at web documentation<br \/>\nof Dutch artists Bik van der Pol:<br \/>\n<a href=\"http:\/\/www.bikvanderpol.net\/\">http:\/\/www.bikvanderpol.net<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sum up of the second week: thoughts and links. We started addressing notions of social interaction, postproduction and relational esthetics discussed by the French theorist Nicholas Bourriaud, a curator at the Palais de Tokyo in Paris in his &#8220;Relational Aesthetics&#8221;, where he discusses intervention, provocation, documentary, archives, uncanny, hybridity. links to consider: http:\/\/www.boiler.odessa.net\/english\/raz1\/n1r1s02.htm http:\/\/www.gairspace.org.uk\/htm\/bourr.htm http:\/\/www.sanalmuze.org\/etkinliklereng\/nicolasbourriaod.htm [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-51","post","type-post","status-publish","format-standard","hentry","category-announcements"],"_links":{"self":[{"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/posts\/51","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/comments?post=51"}],"version-history":[{"count":0,"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/posts\/51\/revisions"}],"wp:attachment":[{"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/media?parent=51"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/categories?post=51"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nugu.lt\/KIT\/wp-json\/wp\/v2\/tags?post=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}