{"id":158,"date":"2025-12-10T20:26:39","date_gmt":"2025-12-10T20:26:39","guid":{"rendered":""},"modified":"2025-12-17T22:17:15","modified_gmt":"2025-12-17T22:17:15","slug":"news-lt-367","status":"publish","type":"post","link":"https:\/\/nugu.lt\/dossier\/?p=158&lang=lt","title":{"rendered":"selected bibliography"},"content":{"rendered":"<p><P><FONT style=\"BACKGROUND-COLOR: #000000\" color=#ffffff>catalogues and books<BR><BR><\/FONT><STRONG>2008<BR><\/STRONG><BR>Nomeda &amp; Gediminas Urbonas, Simon Rees (ed.): <EM>Villa Lituania<\/EM>. <BR>Berlin, New York: Sternberg Press <\/P><br \/>\n<P>Enwezor, Okwui (ed.): <EM>Archive Fever: Uses of the Document in Contemporary Art<\/EM>.<BR>New York: ICP\/Steidl [exh.cat.]<BR><BR><STRONG>2007<BR><\/STRONG>&nbsp;<BR>Misiano, Viktor (ed.): <EM>Progressive Nostalgia<\/EM>. Luigi Pecci Centre for Contemporary Art,&nbsp; Prato [exh.cat.]<\/P><br \/>\n<P>Moisdon, Stephanie; Obrist, Hans Ulrich (ed.): <EM>&#8734;s \u2013 The history of a decade that has not yet been named<\/EM>, 9th Lyon Biennial of Contemporary Art, Lyon [exh.cat.]<\/P><br \/>\n<P>Stegmann, Petra (ed.): <EM>Fluxus East: Fluxus Networks in Central Eastern Europe<\/EM>. Berlin: Kunstlerhaus Bethanien [exh.cat.]<\/P><br \/>\n<P><EM>Think With Senses &#8211; Feel with the Mind, 52nd Biennale di Venezia<\/EM> [exh.cat.]<\/P><br \/>\n<P><EM>2 Moscow Biennale of contemporary art. Special projects<\/EM>. Moscow, Russia [exh.cat.]<BR><BR><STRONG>2006<BR><\/STRONG>&nbsp;&nbsp;<BR>Bauman, Zygmunt: <EM>Liquid Life<\/EM>. Cambridge: Polity Press <\/P><br \/>\n<P>Ricupero, Cristina: <EM>\u201cThe Last Chapter_Trace Route: Remapping Global Cities\u201d, Fever variations. 6th Gwangju Biennale<\/EM> [exh.cat.]<\/P><br \/>\n<P>Arns, Inke; Wettengl, Kurt (ed.): <EM>Mit Allem Rechnen \/ Face the Unexpected<\/EM>. Frankfurt: Revolver [exh.cat.]<BR><BR><STRONG>2005<\/STRONG> &nbsp;<BR><BR>Blasco Gallardo, Jorge (ed.): <EM>Culturas de archivo, vol.2<\/EM>. Junta de Castilla y Leon, Spai<\/P><br \/>\n<P>Larsen, Lars Bang; Ricupero, Cristina; Schafhausen, Nicolaus (ed.): <EM>The Populism Catalogue<\/EM>. Helsinki and New York: NIFCA and Lukas &amp; Sternberg [exh.cat.]<\/P><br \/>\n<P>Mennicke, Christiane (ed.): <EM>Madonna<\/EM>. Dresden: Kunsthaus Dresden [exh.cat.]<\/P><br \/>\n<P>Miles, Malcolm; Hall, Tim (ed.): <EM>Interventions<\/EM>. Bristol: Intellect Books, p. 129<\/P><br \/>\n<P>Steiner, Barbara; Schafer, Julia; Koralova, Ilina (ed.): <EM>Kulturelle Territorien \/ Cultural Territories<\/EM>. Koln: Walter Konig [exh.cat.]<\/P><br \/>\n<P>Zukauskaite, Audrone; Malasauskas, Raimundas; Blasco Gallardo, Jorge: <EM>Emisija \/ Emission<\/EM>. Vilnius: CAC [exh.cat.]<\/P><br \/>\n<P><EM>Babe With Brains: Women in Lithuanian Culture<\/EM>, Lithuanian Institute, Vilnius, Lithuania<BR><BR><STRONG>2004<\/STRONG><BR><BR>Balkema, Annette W.; Slager, Henk (ed.): <EM>Artistic research<\/EM>. Amsterdam: The Netherlands<\/P><br \/>\n<P>Bauer, Ute Meta (ed.): <EM>Komplex Berlin: 3rd berlin biennial for contemporary art<\/EM> [exh.cat.]<\/P><br \/>\n<P>Lovejoy, Margot: <EM>Digital currents: Art in the Electronic Age<\/EM>. London \/ New York: Routledge<\/P><br \/>\n<P>Schuijren, Jan; Van Den Boom, Bart: <EM>Extended Views<\/EM>, Maastricht, The Netherlands [exh.cat.]<\/P><br \/>\n<P>Zaya, Octavio: <EM>FILES<\/EM>. Castillia Y Leon: MUSAC. <\/P><br \/>\n<P><EM>ISEA 2004, publication of the International Symposium of Electronic Art<\/EM> [exh.cat.]<BR><BR><STRONG>2003<\/STRONG><BR>&nbsp;<BR>Engberg, Juliana (ed.): <EM>The Labyrinthine effect<\/EM>. Melbourne: ACCA [exh.cat.]<\/P><br \/>\n<P><EM>Neue Freunde: Art, Science and Business<\/EM>. Stuttgart: Akademie Schloss Solitude<\/P><br \/>\n<P>Ruhm, Constanze (ed.): <EM>The Fate of Alien Modes<\/EM>. Vienna: Secession [exh.cat.]<\/P><br \/>\n<P><EM>Substream<\/EM>. Oslo: Kunstnernes Hus [exh.cat.]<BR><STRONG><BR>2002<\/STRONG><BR>&nbsp;<BR>Brandt, Charlotte; Larsen, Lars Bang; Ricupero, Cristina (ed.): <EM>Fundamentalisms of the New Order<\/EM>. Helsinki, Copenhagen and New York: NIFCA, Charlottenborg and Lukas &amp; Sternberg [exh.cat.]<\/P><br \/>\n<P>documenta [ed.]: <EM>Documenta11_Platform5: Exibition<\/EM>. Kassel: Documenta GmbH and Hatje Cantz [exh.cat.]<\/P><br \/>\n<P><EM>Manifesta 4<\/EM>. Frankfurt: Manifesta and Hatje Cantz [exh.cat.]<\/P><br \/>\n<P><EM>Money<\/EM>. Stockholm: CRAC [exh.cat.]<\/P><br \/>\n<P><EM>Self-Esteem<\/EM>. Vilnius: CAC [exh.cat.]<BR><STRONG><BR>2001<\/STRONG>&nbsp;<BR>&nbsp;<BR>Pousette, Johan (ed.): <EM>Presence Balte<\/EM>. Stockholm: BAC [exh.cat.]<\/P><br \/>\n<P>Rosenfeld, Alla; T. Dodge, Norton: <EM>Art of the Baltics: The Struggle for Freedom of Artistic Expression Under the Soviets<\/EM>. Piscataway: New Jersey Rutgers University Press, p.361<\/P><br \/>\n<P>ARRHENIUS, Sara: Transaction, IASPIS, Sweden [exh.cat.]<BR><BR><STRONG>2000<\/STRONG><\/P><br \/>\n<P><EM>Innocent Life<\/EM>. Vilnius: CAC [exh.cat.]<\/P><br \/>\n<P><EM>Strangers &amp; Paradise, FROM #3<\/EM>. Rotterdam: Witte de With Centre for Contemporary Art&nbsp; <BR><BR><STRONG>1999<\/STRONG><BR><BR>Jaukkuri, Maaretta (ed.); Bauman, Zygmunt; Blom, Ina: <EM>Artscape Nordland<\/EM>. Nordland Fylkeskommune<\/P><br \/>\n<P><EM>Changing the System? Artists talk about their practice<\/EM>. Rotterdam: Witte de With Centre for Contemporary Art; Helsinki: NIFCA<\/P><br \/>\n<P><EM>Lietuvos Daile 1989-1999<\/EM>, CAC, Vilnius [exh.cat.]<BR><BR><STRONG>1998<\/STRONG><BR><BR>Andriuskevicius, Alfonsas: <EM>72 dailininkai apie daile<\/EM>, Vilnius: Vilnius Art Academy<\/P><br \/>\n<P>Warr, Tracey (ed.): <EM>Sutemos \/ Twilight<\/EM>. CAC [exh.cat.]<BR><BR><STRONG>1997<\/STRONG><BR><BR><EM>Ground Control. technology and utopia<\/EM>, Black Dog Publishing<\/P><br \/>\n<P>Jurenaite, Raminta: <EM>Multilingual Landscapes<\/EM>, Soros Center for Contemporary Arts \u2013 Lithuania, Vilnius [exh.cat.]<BR><BR><STRONG>1996<\/STRONG><BR>&nbsp;<BR>Andriusyte, Rasa; Jurenaite, Raminta: <EM>Personal Time. Art of Estonia, Latvia and Lithuania 1945-1996<\/EM>, Zacheta gallery, Warsaw, Poland [exh.cat.]&nbsp; <BR><BR><BR><FONT style=\"BACKGROUND-COLOR: #000000\" color=#ffffff>reviews and articles<BR><BR><\/FONT><STRONG>2007<\/STRONG><BR>&nbsp;&nbsp;&nbsp; <BR>Heiser, Joerg: \u201cDie Lucken zwischen den Bildern\u201d, <EM>Suddeutsche Zeitung<\/EM>, n.130 (June 9-10)<\/P><br \/>\n<P>Hofer, Gustav: \u201cFree like birds. Venise, le 52eme Biennale\u201d, <EM>Arte TV<\/EM> blog (June)<\/P><br \/>\n<P>Gabri, Renne: \u201cLithuania: skipping over history\u201d. <EM>DOMUS<\/EM> web, (June 8)<\/P><br \/>\n<P>Jurenaite, Raminta: \u201c52nd Venice Biennial: Art as Mirror of Global Conflicts and Simply Art\u201d, <EM>Kulturos barai<\/EM>, n.7 (July) p.35 \u2013 41<\/P><br \/>\n<P>Piccoli, Cloe: \u201cGediminas e Nomeda Urbonas\u201d, <EM>L\u2019uomo Vogue<\/EM>, n.381 (May-June)<\/P><br \/>\n<P>Rees, Simon: \u201cVanagas tarp balandziu: Nomedos ir Gedimino Urbonu Villa Lituania 52-ojoje Venecijos Bienaleje\u201d, <EM>Siaures Atenai<\/EM>, n. 21 (July 21)<\/P><br \/>\n<P>Mikucionyte, Rita: \u201cOccupation Equals Privatisation: Nomeda and Gediminas Urbonas at the Venice Biennial\u201d, <EM>Daile<\/EM>, n. 2\/2007<\/P><br \/>\n<P>Zykute, Jolita: \u2018Triuksmas del balandziu\u2019, <EM>Ieva<\/EM>, Lithuania (September) <\/P><br \/>\n<P>Petrosius, Donatas: \u201c6 klausimai Gediminui Urbonui\u201d, <EM>Panorama<\/EM>, n.16 (August 3-9)<\/P><br \/>\n<P>Ramanauskaite, Alge: \u2018Balandziu kelione is Venecijos i Lietuva uztruko\u2019, <EM>Respublika<\/EM>, Lithuania (July 13)<\/P><br \/>\n<P>Mikucionyte, Rita: \u2018Balandziu skrydis \u2013 poetiska menininku protesto israiska\u2019, <EM>Lietuvos rytas<\/EM>. no.138, Lithuania (June 19)&nbsp;<\/P><br \/>\n<P>\u2018Vernisage\u2019, <EM>Art Newspaper Special<\/EM>, no.84 (July-August)<\/P><br \/>\n<P><EM>ARTFORUM<\/EM>. Summer 2007<\/P><br \/>\n<P>Ramanauskaite, Alge: \u2018Tukstantis balandziu ir du maistaujantys menininkai\u2019, <EM>Respublika<\/EM>, Lithuania (June 7)<\/P><br \/>\n<P>Vysniauskaite, Birute: \u2018Balti balandziai isgasdino ir Vilniu ir Roma\u2019, <EM>Lietuvos rytas<\/EM>, no.35, Lithuania (February 12)<BR><BR><STRONG>2005<\/STRONG><BR>&nbsp;<BR>Harrison, Nell: \u201cThe End of Cinema Lietuva. The Death of Community Culture\u201d, <EM>The Baltic Times<\/EM> (July 9)<\/P><br \/>\n<P>Juodelyte, Karina: \u201cThe Modern Renaissance of Rue\u201d, <EM>The Baltic Times<\/EM> (August 3)<\/P><br \/>\n<P>Kuzma, Marta: \u201cOn the Shoulders of Giants\u201d, <EM>Flash Art<\/EM> (January-February)<\/P><br \/>\n<P>Lovink, Geert: \u201cPolitics of a New Media Space Inside the Lietuva (Soviet) Cinema\u201d, (June 25) <EM>Institute of Network Cultures<\/EM><BR><A href=\"http:\/\/www.networkcultures.org\/weblog\/archives\/2005\/06\/hacking_public.html\">http:\/\/www.networkcultures.org\/weblog\/archives\/2005\/06\/hacking_public.html<\/A><\/P><br \/>\n<P>Narusyte, Agne: \u201cNomeda and Gediminas Urbonas: The Voice from the Black Box\u201d, <EM>Daile<\/EM>, n. 1\/2005<\/P><br \/>\n<P>Nymoen, Mari: \u201cVindu mot verden\u201d, <EM>Udresfeavifen<\/EM> (August)<BR><BR><STRONG>2004<\/STRONG>&nbsp;<BR><BR>Batz, Oliver; Schafer, Andre: Vilnius et la passion pour le center de l`Europe\u201d, <EM>ARTE TV<\/EM> (May 1)<\/P><br \/>\n<P>Zukauskaite, Audrone; Malasauskas, Raimundas: \u201cPenkios temos ir issetines variacijos on Nomeda and Gediminas Urbonas project Ruta Remake\u201d,&nbsp; <EM>Siaures Atenai<\/EM>, n.31 (August 21)<\/P><br \/>\n<P>Vanhala, Jari-Pekka: \u201cLa vida en tiempos de transparencia\u201d, <EM>EXIT Express<\/EM>, n.7 (November 15)<BR><BR><STRONG>2003<\/STRONG><BR>&nbsp;<BR>Kreivyte, Laima: \u201cKam reikalinga mediju laboratorija, interviu su N ir G Urbonais\u201d, <EM>7 meno dienos<\/EM> (September 26)<\/P><br \/>\n<P>Strommen, Marit: \u201cInterview with N ir G Urbonai\u201d, <EM>Klassenkampen<\/EM> (August 11)<BR><STRONG><BR>2002<\/STRONG><BR>&nbsp;<BR>Kreivyte, Laima: \u201cBudapest transakcions\u201d, <EM>7 meno dienos<\/EM> (February 1)<\/P><br \/>\n<P>Schnurr, Eva-Maria: \u201cNomeda und Gediminas Urbonas: Transaction-Projekt\u201d, <EM>die tageszeitung<\/EM> (September 6)<\/P><br \/>\n<P>Tan, Pelin: \u201cGlobal Resistance Now\u201d, <EM>NEID<\/EM>, n.9<BR><STRONG><BR>2001<BR><BR><\/STRONG>Psibilskis, Liutauras: \u201cInnocent Life\u201d, <EM>NU: the Nordic Art Review<\/EM>, vol. III, n. 1\/01<BR><BR><STRONG>2000<BR><\/STRONG>&nbsp;<BR>Kachelriess, Andrea: \u201cIrgendwie pradestiniert fur die opferrolle\u201d, <EM>Stuttgarter Nachrichten<\/EM> (November 8)<\/P><br \/>\n<P>Mclaren, Duncan: \u201cA Mixed Bag From the Curators\u2019 Bulging Suitcase\u201d, <EM>Independent<\/EM>, n. 38 (August 27)<BR><BR><STRONG>1999<\/STRONG><BR>&nbsp;<BR>Kincinaitis, Virginijus: \u201cErotika arba vieno termino menopauze\u201d, <EM>Daile<\/EM>, n. 1\/99<\/P><br \/>\n<P>Trilupaityte, Skaidra: \u201cinterview with jutempus\u201d, <EM>7 meno dienos<\/EM> (August 27)<\/P><br \/>\n<P>Urbonas, Nomeda &amp; Gediminas: \u201ctvvv.plotas statement\u201d, <EM>Acoustic Space<\/EM> n. 2, E-LAB<BR><BR><STRONG>1998<\/STRONG><BR>&nbsp;<BR>Hogsbro Ostergaard, Cecilie: \u201cTwilight\u201d, <EM>Ojebliket<\/EM>, n.35 (April)<BR><BR><STRONG>1995 <BR><BR><\/STRONG>Daugirdait\u00eb, Solveiga: Coming or Going, <EM>\u00d0iaur\u00ebs At\u00ebnai, <\/EM>n.43, Vilnius<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p><P><FONT style=\"BACKGROUND-COLOR: #000000\" color=#ffffff>catalogues and books<BR><BR><\/FONT><STRONG>2008<BR><\/STRONG><BR>Nomeda &amp; Gediminas Urbonas, Simon Rees (ed.): <EM>Villa Lituania<\/EM>. <BR>Berlin, New York: Sternberg Press <\/P><br \/>\n<P>Enwezor, Okwui (ed.): <EM>Archive Fever: Uses of the Document in Contemporary Art<\/EM>.<BR>New York: ICP\/Steidl [exh.cat.]<BR><BR><STRONG>2007<BR><\/STRONG>&nbsp;<BR>Misiano, Viktor (ed.): <EM>Progressive Nostalgia<\/EM>. Luigi Pecci Centre for Contemporary Art,&nbsp; Prato [exh.cat.]<\/P><br \/>\n<P>Moisdon, Stephanie; Obrist, Hans Ulrich (ed.): <EM>&#8734;s \u2013 The history of a decade that has not yet been named<\/EM>, 9th Lyon Biennial of Contemporary Art, Lyon [exh.cat.]<\/P><br \/>\n<P>Stegmann, Petra (ed.): <EM>Fluxus East: Fluxus Networks in Central Eastern Europe<\/EM>. Berlin: Kunstlerhaus Bethanien [exh.cat.]<\/P><br \/>\n<P><EM>Think With Senses &#8211; Feel with the Mind, 52nd Biennale di Venezia<\/EM> [exh.cat.]<\/P><br \/>\n<P><EM>2 Moscow Biennale of contemporary art. Special projects<\/EM>. Moscow, Russia [exh.cat.]<BR><BR><STRONG>2006<BR><\/STRONG>&nbsp;&nbsp;<BR>Bauman, Zygmunt: <EM>Liquid Life<\/EM>. Cambridge: Polity Press <\/P><br \/>\n<P>Ricupero, Cristina: <EM>\u201cThe Last Chapter_Trace Route: Remapping Global Cities\u201d, Fever variations. 6th Gwangju Biennale<\/EM> [exh.cat.]<\/P><br \/>\n<P>Arns, Inke; Wettengl, Kurt (ed.): <EM>Mit Allem Rechnen \/ Face the Unexpected<\/EM>. Frankfurt: Revolver [exh.cat.]<BR><BR><STRONG>2005<\/STRONG> &nbsp;<BR><BR>Blasco Gallardo, Jorge (ed.): <EM>Culturas de archivo, vol.2<\/EM>. Junta de Castilla y Leon, Spai<\/P><br \/>\n<P>Larsen, Lars Bang; Ricupero, Cristina; Schafhausen, Nicolaus (ed.): <EM>The Populism Catalogue<\/EM>. Helsinki and New York: NIFCA and Lukas &amp; Sternberg [exh.cat.]<\/P><br \/>\n<P>Mennicke, Christiane (ed.): <EM>Madonna<\/EM>. Dresden: Kunsthaus Dresden [exh.cat.]<\/P><br \/>\n<P>Miles, Malcolm; Hall, Tim (ed.): <EM>Interventions<\/EM>. Bristol: Intellect Books, p. 129<\/P><br \/>\n<P>Steiner, Barbara; Schafer, Julia; Koralova, Ilina (ed.): <EM>Kulturelle Territorien \/ Cultural Territories<\/EM>. Koln: Walter Konig [exh.cat.]<\/P><br \/>\n<P>Zukauskaite, Audrone; Malasauskas, Raimundas; Blasco Gallardo, Jorge: <EM>Emisija \/ Emission<\/EM>. Vilnius: CAC [exh.cat.]<\/P><br \/>\n<P><EM>Babe With Brains: Women in Lithuanian Culture<\/EM>, Lithuanian Institute, Vilnius, Lithuania<BR><BR><STRONG>2004<\/STRONG><BR><BR>Balkema, Annette W.; Slager, Henk (ed.): <EM>Artistic research<\/EM>. Amsterdam: The Netherlands<\/P><br \/>\n<P>Bauer, Ute Meta (ed.): <EM>Komplex Berlin: 3rd berlin biennial for contemporary art<\/EM> [exh.cat.]<\/P><br \/>\n<P>Lovejoy, Margot: <EM>Digital currents: Art in the Electronic Age<\/EM>. London \/ New York: Routledge<\/P><br \/>\n<P>Schuijren, Jan; Van Den Boom, Bart: <EM>Extended Views<\/EM>, Maastricht, The Netherlands [exh.cat.]<\/P><br \/>\n<P>Zaya, Octavio: <EM>FILES<\/EM>. Castillia Y Leon: MUSAC. <\/P><br \/>\n<P><EM>ISEA 2004, publication of the International Symposium of Electronic Art<\/EM> [exh.cat.]<BR><BR><STRONG>2003<\/STRONG><BR>&nbsp;<BR>Engberg, Juliana (ed.): <EM>The Labyrinthine effect<\/EM>. Melbourne: ACCA [exh.cat.]<\/P><br \/>\n<P><EM>Neue Freunde: Art, Science and Business<\/EM>. Stuttgart: Akademie Schloss Solitude<\/P><br \/>\n<P>Ruhm, Constanze (ed.): <EM>The Fate of Alien Modes<\/EM>. Vienna: Secession [exh.cat.]<\/P><br \/>\n<P><EM>Substream<\/EM>. Oslo: Kunstnernes Hus [exh.cat.]<BR><STRONG><BR>2002<\/STRONG><BR>&nbsp;<BR>Brandt, Charlotte; Larsen, Lars Bang; Ricupero, Cristina (ed.): <EM>Fundamentalisms of the New Order<\/EM>. Helsinki, Copenhagen and New York: NIFCA, Charlottenborg and Lukas &amp; Sternberg [exh.cat.]<\/P><br \/>\n<P>documenta [ed.]: <EM>Documenta11_Platform5: Exibition<\/EM>. Kassel: Documenta GmbH and Hatje Cantz [exh.cat.]<\/P><br \/>\n<P><EM>Manifesta 4<\/EM>. Frankfurt: Manifesta and Hatje Cantz [exh.cat.]<\/P><br \/>\n<P><EM>Money<\/EM>. Stockholm: CRAC [exh.cat.]<\/P><br \/>\n<P><EM>Self-Esteem<\/EM>. Vilnius: CAC [exh.cat.]<BR><STRONG><BR>2001<\/STRONG>&nbsp;<BR>&nbsp;<BR>Pousette, Johan (ed.): <EM>Presence Balte<\/EM>. Stockholm: BAC [exh.cat.]<\/P><br \/>\n<P>Rosenfeld, Alla; T. Dodge, Norton: <EM>Art of the Baltics: The Struggle for Freedom of Artistic Expression Under the Soviets<\/EM>. Piscataway: New Jersey Rutgers University Press, p.361<\/P><br \/>\n<P>ARRHENIUS, Sara: Transaction, IASPIS, Sweden [exh.cat.]<BR><BR><STRONG>2000<\/STRONG><\/P><br \/>\n<P><EM>Innocent Life<\/EM>. Vilnius: CAC [exh.cat.]<\/P><br \/>\n<P><EM>Strangers &amp; Paradise, FROM #3<\/EM>. Rotterdam: Witte de With Centre for Contemporary Art&nbsp; <BR><BR><STRONG>1999<\/STRONG><BR><BR>Jaukkuri, Maaretta (ed.); Bauman, Zygmunt; Blom, Ina: <EM>Artscape Nordland<\/EM>. Nordland Fylkeskommune<\/P><br \/>\n<P><EM>Changing the System? Artists talk about their practice<\/EM>. Rotterdam: Witte de With Centre for Contemporary Art; Helsinki: NIFCA<\/P><br \/>\n<P><EM>Lietuvos Daile 1989-1999<\/EM>, CAC, Vilnius [exh.cat.]<BR><BR><STRONG>1998<\/STRONG><BR><BR>Andriuskevicius, Alfonsas: <EM>72 dailininkai apie daile<\/EM>, Vilnius: Vilnius Art Academy<\/P><br \/>\n<P>Warr, Tracey (ed.): <EM>Sutemos \/ Twilight<\/EM>. CAC [exh.cat.]<BR><BR><STRONG>1997<\/STRONG><BR><BR><EM>Ground Control. technology and utopia<\/EM>, Black Dog Publishing<\/P><br \/>\n<P>Jurenaite, Raminta: <EM>Multilingual Landscapes<\/EM>, Soros Center for Contemporary Arts \u2013 Lithuania, Vilnius [exh.cat.]<BR><BR><STRONG>1996<\/STRONG><BR>&nbsp;<BR>Andriusyte, Rasa; Jurenaite, Raminta: <EM>Personal Time. Art of Estonia, Latvia and Lithuania 1945-1996<\/EM>, Zacheta gallery, Warsaw, Poland [exh.cat.]&nbsp; <BR><BR><BR><FONT style=\"BACKGROUND-COLOR: #000000\" color=#ffffff>reviews and articles<BR><BR><\/FONT><STRONG>2007<\/STRONG><BR>&nbsp;&nbsp;&nbsp; <BR>Heiser, Joerg: \u201cDie Lucken zwischen den Bildern\u201d, <EM>Suddeutsche Zeitung<\/EM>, n.130 (June 9-10)<\/P><br \/>\n<P>Hofer, Gustav: \u201cFree like birds. Venise, le 52eme Biennale\u201d, <EM>Arte TV<\/EM> blog (June)<\/P><br \/>\n<P>Gabri, Renne: \u201cLithuania: skipping over history\u201d. <EM>DOMUS<\/EM> web, (June 8)<\/P><br \/>\n<P>Jurenaite, Raminta: \u201c52nd Venice Biennial: Art as Mirror of Global Conflicts and Simply Art\u201d, <EM>Kulturos barai<\/EM>, n.7 (July) p.35 \u2013 41<\/P><br \/>\n<P>Piccoli, Cloe: \u201cGediminas e Nomeda Urbonas\u201d, <EM>L\u2019uomo Vogue<\/EM>, n.381 (May-June)<\/P><br \/>\n<P>Rees, Simon: \u201cVanagas tarp balandziu: Nomedos ir Gedimino Urbonu Villa Lituania 52-ojoje Venecijos Bienaleje\u201d, <EM>Siaures Atenai<\/EM>, n. 21 (July 21)<\/P><br \/>\n<P>Mikucionyte, Rita: \u201cOccupation Equals Privatisation: Nomeda and Gediminas Urbonas at the Venice Biennial\u201d, <EM>Daile<\/EM>, n. 2\/2007<\/P><br \/>\n<P>Zykute, Jolita: \u2018Triuksmas del balandziu\u2019, <EM>Ieva<\/EM>, Lithuania (September) <\/P><br \/>\n<P>Petrosius, Donatas: \u201c6 klausimai Gediminui Urbonui\u201d, <EM>Panorama<\/EM>, n.16 (August 3-9)<\/P><br \/>\n<P>Ramanauskaite, Alge: \u2018Balandziu kelione is Venecijos i Lietuva uztruko\u2019, <EM>Respublika<\/EM>, Lithuania (July 13)<\/P><br \/>\n<P>Mikucionyte, Rita: \u2018Balandziu skrydis \u2013 poetiska menininku protesto israiska\u2019, <EM>Lietuvos rytas<\/EM>. no.138, Lithuania (June 19)&nbsp;<\/P><br \/>\n<P>\u2018Vernisage\u2019, <EM>Art Newspaper Special<\/EM>, no.84 (July-August)<\/P><br \/>\n<P><EM>ARTFORUM<\/EM>. Summer 2007<\/P><br \/>\n<P>Ramanauskaite, Alge: \u2018Tukstantis balandziu ir du maistaujantys menininkai\u2019, <EM>Respublika<\/EM>, Lithuania (June 7)<\/P><br \/>\n<P>Vysniauskaite, Birute: \u2018Balti balandziai isgasdino ir Vilniu ir Roma\u2019, <EM>Lietuvos rytas<\/EM>, no.35, Lithuania (February 12)<BR><BR><STRONG>2005<\/STRONG><BR>&nbsp;<BR>Harrison, Nell: \u201cThe End of Cinema Lietuva. The Death of Community Culture\u201d, <EM>The Baltic Times<\/EM> (July 9)<\/P><br \/>\n<P>Juodelyte, Karina: \u201cThe Modern Renaissance of Rue\u201d, <EM>The Baltic Times<\/EM> (August 3)<\/P><br \/>\n<P>Kuzma, Marta: \u201cOn the Shoulders of Giants\u201d, <EM>Flash Art<\/EM> (January-February)<\/P><br \/>\n<P>Lovink, Geert: \u201cPolitics of a New Media Space Inside the Lietuva (Soviet) Cinema\u201d, (June 25) <EM>Institute of Network Cultures<\/EM><BR><A href=\"http:\/\/www.networkcultures.org\/weblog\/archives\/2005\/06\/hacking_public.html\">http:\/\/www.networkcultures.org\/weblog\/archives\/2005\/06\/hacking_public.html<\/A><\/P><br \/>\n<P>Narusyte, Agne: \u201cNomeda and Gediminas Urbonas: The Voice from the Black Box\u201d, <EM>Daile<\/EM>, n. 1\/2005<\/P><br \/>\n<P>Nymoen, Mari: \u201cVindu mot verden\u201d, <EM>Udresfeavifen<\/EM> (August)<BR><BR><STRONG>2004<\/STRONG>&nbsp;<BR><BR>Batz, Oliver; Schafer, Andre: Vilnius et la passion pour le center de l`Europe\u201d, <EM>ARTE TV<\/EM> (May 1)<\/P><br \/>\n<P>Zukauskaite, Audrone; Malasauskas, Raimundas: \u201cPenkios temos ir issetines variacijos on Nomeda and Gediminas Urbonas project Ruta Remake\u201d,&nbsp; <EM>Siaures Atenai<\/EM>, n.31 (August 21)<\/P><br \/>\n<P>Vanhala, Jari-Pekka: \u201cLa vida en tiempos de transparencia\u201d, <EM>EXIT Express<\/EM>, n.7 (November 15)<BR><BR><STRONG>2003<\/STRONG><BR>&nbsp;<BR>Kreivyte, Laima: \u201cKam reikalinga mediju laboratorija, interviu su N ir G Urbonais\u201d, <EM>7 meno dienos<\/EM> (September 26)<\/P><br \/>\n<P>Strommen, Marit: \u201cInterview with N ir G Urbonai\u201d, <EM>Klassenkampen<\/EM> (August 11)<BR><STRONG><BR>2002<\/STRONG><BR>&nbsp;<BR>Kreivyte, Laima: \u201cBudapest transakcions\u201d, <EM>7 meno dienos<\/EM> (February 1)<\/P><br \/>\n<P>Schnurr, Eva-Maria: \u201cNomeda und Gediminas Urbonas: Transaction-Projekt\u201d, <EM>die tageszeitung<\/EM> (September 6)<\/P><br \/>\n<P>Tan, Pelin: \u201cGlobal Resistance Now\u201d, <EM>NEID<\/EM>, n.9<BR><STRONG><BR>2001<BR><BR><\/STRONG>Psibilskis, Liutauras: \u201cInnocent Life\u201d, <EM>NU: the Nordic Art Review<\/EM>, vol. III, n. 1\/01<BR><BR><STRONG>2000<BR><\/STRONG>&nbsp;<BR>Kachelriess, Andrea: \u201cIrgendwie pradestiniert fur die opferrolle\u201d, <EM>Stuttgarter Nachrichten<\/EM> (November 8)<\/P><br \/>\n<P>Mclaren, Duncan: \u201cA Mixed Bag From the Curators\u2019 Bulging Suitcase\u201d, <EM>Independent<\/EM>, n. 38 (August 27)<BR><BR><STRONG>1999<\/STRONG><BR>&nbsp;<BR>Kincinaitis, Virginijus: \u201cErotika arba vieno termino menopauze\u201d, <EM>Daile<\/EM>, n. 1\/99<\/P><br \/>\n<P>Trilupaityte, Skaidra: \u201cinterview with jutempus\u201d, <EM>7 meno dienos<\/EM> (August 27)<\/P><br \/>\n<P>Urbonas, Nomeda &amp; Gediminas: \u201ctvvv.plotas statement\u201d, <EM>Acoustic Space<\/EM> n. 2, E-LAB<BR><BR><STRONG>1998<\/STRONG><BR>&nbsp;<BR>Hogsbro Ostergaard, Cecilie: \u201cTwilight\u201d, <EM>Ojebliket<\/EM>, n.35 (April)<BR><BR><STRONG>1995 <BR><BR><\/STRONG>Daugirdait\u00eb, Solveiga: Coming or Going, <EM>\u00d0iaur\u00ebs At\u00ebnai, <\/EM>n.43, Vilnius<\/P><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[169],"tags":[647,819],"class_list":["post-158","post","type-post","status-publish","format-standard","hentry","category-cat-lt-260","tag-lt-lt","tag-old-id-367-lt"],"_links":{"self":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=158"}],"version-history":[{"count":1,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/158\/revisions"}],"predecessor-version":[{"id":774,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/158\/revisions\/774"}],"wp:attachment":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}