{"id":159,"date":"2025-12-10T20:26:39","date_gmt":"2025-12-10T20:26:39","guid":{"rendered":""},"modified":"2025-12-15T16:32:11","modified_gmt":"2025-12-15T16:32:11","slug":"news-lt-368","status":"publish","type":"post","link":"https:\/\/nugu.lt\/dossier\/?p=159&lang=lt","title":{"rendered":"Ruta Remake at Kunstlerhaus Stuttgart"},"content":{"rendered":"

Ruta Remake<\/FONT>

sign system, notation, amplifier, surround system,  light system, theramidi \/ Kunstlerhaus Stuttgart \/ 2002



The “Ruta Remake” project focuses on the voice \/ vox, beginning with updating the original Thereminvox by a ‘Theramidi’ device. This device is designed for a user’s hand to mediate between sets of acoustic samples by using two light-sensitive resistors linked through a midi-interface. The hand’s movement within light casts shadows, and these, which register output and representation, according the logic of an inverted film. The hands re-collect the absence of voices, shaping\/creating in a such a way that the hand becomes both a mapping and a notation device. Thus the new theramidi based navigation approaches the user as a performer who charts through the sound archive of voices in a real time weaving of the dialogue lines into determined patterns that compose a sound fabric.



    

Pianist Guoda Gedvilaite performing Ruta Remake at Kunstlerhaus Stuttgart, 2002. Guoda Gedvilaite is a profesor at the Hochschule f\u00fcr Musik und Darstellende Kunst in Frankfurt am Main.

   

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Ruta Remakesign system, notation, amplifier, surround system,  light system, theramidi \/ Kunstlerhaus Stuttgart \/ 2002The “Ruta Remake” project focuses on the voice \/ vox, beginning with updating the original Thereminvox by a ‘Theramidi’ device. This device is designed for a user’s hand to mediate between sets of acoustic samples by using two light-sensitive resistors linked … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[132],"tags":[647,825],"class_list":["post-159","post","type-post","status-publish","format-standard","hentry","category-cat-lt-219-lt","tag-lt-lt","tag-old-id-368-lt"],"_links":{"self":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/159","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=159"}],"version-history":[{"count":2,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/159\/revisions"}],"predecessor-version":[{"id":1142,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/159\/revisions\/1142"}],"wp:attachment":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=159"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=159"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}