{"id":162,"date":"2025-12-10T20:26:39","date_gmt":"2025-12-10T20:26:39","guid":{"rendered":""},"modified":"2025-12-15T20:10:30","modified_gmt":"2025-12-15T20:10:30","slug":"news-lt-371","status":"publish","type":"post","link":"https:\/\/nugu.lt\/dossier\/?p=162&lang=lt","title":{"rendered":"Ruta Remake at bb3 Berlin"},"content":{"rendered":"

Ruta Remake<\/FONT>

sign system, sound system, cables, light system, computer, theramidi, curtain \/ 3rd berlin biennial, Martin-Gropius-Bau, Berlin \/ 2004

    

  

\u201cRuta Remake\u201d defines its own performative space as a perceptual model that joins the grounded symptomatic mechanism of the media to breed it with a new script pattern. As the term \u201cremake\u201d suggests, the work intends to subvert an existing narrative to operate within a further scenario.

   
  
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The woven linen curtain closes the window light in the space of Martin-Gropius-Bau to supply the underlying condition of the performative machinery that operates with and within the\u201cRuta Remake\u201d. The curtain, as suppressive institution, as chador, that controls the appearing voices, introduces a work by female workers from a linen weaving factory who join to create a new pattern. The curtain as an element between this reality and other realities reveals the link with the world that is on the other side of the screen. <\/P>
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\u201cRuta Remake\u201d grows through cables and wires to the ceiling of the space to return as a reading of  the cinematic mechanism. The voices that chart the walls of the unfolded notation system perform the polyphonic operation that works through the analysis of the institutional architecture.

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Ruta Remakesign system, sound system, cables, light system, computer, theramidi, curtain \/ 3rd berlin biennial, Martin-Gropius-Bau, Berlin \/ 2004       \u201cRuta Remake\u201d defines its own performative space as a perceptual model that joins the grounded symptomatic mechanism of the media to breed it with a new script pattern. As the term \u201cremake\u201d suggests, the work … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[132],"tags":[647,872],"class_list":["post-162","post","type-post","status-publish","format-standard","hentry","category-cat-lt-219-lt","tag-lt-lt","tag-old-id-371-lt"],"_links":{"self":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=162"}],"version-history":[{"count":1,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/162\/revisions"}],"predecessor-version":[{"id":930,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/162\/revisions\/930"}],"wp:attachment":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=162"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=162"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}