{"id":197,"date":"2025-12-10T20:26:39","date_gmt":"2025-12-10T20:26:39","guid":{"rendered":""},"modified":"2025-12-17T22:12:38","modified_gmt":"2025-12-17T22:12:38","slug":"news-lt-408","status":"publish","type":"post","link":"https:\/\/nugu.lt\/dossier\/?p=197&lang=lt","title":{"rendered":"cv eilutes"},"content":{"rendered":"<p><P><FONT style=\"BACKGROUND-COLOR: #000000\" color=#ffffff>CV<\/FONT><\/P><br \/>\n<P>Nomeda &amp; Gediminas Urbonas<BR>born 1968 Kaunas \/ 1966 Vilnius<BR>lives and works in Cambridge, MA, USA and Vilnius, Lithuania <BR><BR><A href=\"mailto:info@nugu.lt\">info@nugu.lt<\/A><BR><BR>345 Harvard Street 4F<BR>Cambridge, MA 02138, USA<BR><BR>Mildos 11-13, <BR>LT-10311 Vilnius<BR>Lithuania<BR><BR>2009&nbsp; GU is associate professor at ACT, MIT, Cambridge, USA;<BR>2008&nbsp; GU is professor at KIT \/ NTNU, Art Academy in Trondheim, Norway;<BR>2008&nbsp; NU is PhD research fellow at NTNU, Faculty of Architecture and Fine Art,<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Trondheim, Norway;<BR>2005&nbsp; emanuensis at KIT \/ NTNU, Art Academy in Trondheim, Norway;<BR>2005&nbsp;&nbsp;co-founders of VOICE, net based publication on media culture:<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=\"http:\/\/www.vilma.cc\/balsas\" target=_blank>www.vilma.cc\/balsas<\/A><BR>2000&nbsp;&nbsp;co-founders of VILMA &#8211; Vilnius Interdisciplinary Lab for Media Art;<BR>1997&nbsp;&nbsp;co-founders of JUTEMPUS interdisciplinary art program;<BR><BR><BR><STRONG>grants\/awards<BR><BR><\/STRONG>2010&nbsp; Fellowship at Oxford Brookes University, Oxford, UK;<BR>2007&nbsp; Lithuanian National Prize for achievements in the arts and culture;<BR>2007&nbsp; Honourable Mention to a National Pavilion&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;at 52nd International Art Exhibition of La Biennale di Venezia;<BR>2007\/08&nbsp; Fellowship at Montalvo Arts Center, CA, U.S.A.;<BR>2006&nbsp; Prize for the Best International Artist at Gwangju Biennale 2006, Korea;<BR>2004\/05&nbsp; State grant of the Republic of Lithuania;<BR>2003&nbsp; OCA grant at the International Studio Program in Oslo;<BR>2002&nbsp; Fellowship at the&nbsp; Akademie Schloss Solitude, Stuttgart;<BR>2001&nbsp; NIFCA grant for&nbsp; IASPIS &#8211; International Studio Program, Stockholm;<BR>1998&nbsp; State grant of the Republic of Lithuania;<BR><BR><BR><STRONG>solo exhibitions<BR><BR><\/STRONG>2011&nbsp; <EM>Boston Chapter<\/EM>, at <EM>Disobedience Ongoing Archive<\/EM> project <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; co-curated together with&nbsp;Marco Scotini,&nbsp;MIT, Cambridge, MA;<BR>2011&nbsp; <EM>Learning and Playing<\/EM>, Wolk Gallery, MIT, Cambridge, MA;<BR>2008&nbsp; <EM>Devices for Action<\/EM>, MACBA, Barcelona. Curated by Bartomeu Mari;<BR>2007&nbsp; <EM>Villa Lituania<\/EM> \/ 52nd Biennale di Venezia, The Lithuanian Pavilion.&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Simon Rees;<BR>2004&nbsp; <EM>RR: Ruta Remake<\/EM> \/ CAC, Vilnius. Curated by Kestutis Kuizinas;<BR>2003&nbsp; <EM>Ruta Remake<\/EM> \/ Substream, Kunstnernes Hus, Oslo;<BR>2002&nbsp; <EM>TRANSmute<\/EM>, Sprengel Museum, Hannover. Curated by Inka Schube;<BR>2002&nbsp; <EM>TRANSACTION \/ translation<\/EM>, Ludwig Museum, Budapest.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Dora Hegyi;<BR>2001&nbsp; <EM>TRANSACTION \/ unpacked<\/EM>, IASPIS, Stockholm. Curated by Sara Arhenius;<BR>2000&nbsp; <EM>TRANSACTION<\/EM>, haus.0, Kuenstlerhaus Stuttgart. Curated by Fareed Armaly;<BR>2000&nbsp; <EM>TRANSACTION<\/EM> \/ Strangers &amp; Paradise,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Witte de With contemporary art center Rotterdam. <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Bartomeu Mari;<BR><BR><BR><STRONG>selected group exhibitions<\/STRONG> <BR><BR>2011&nbsp; 4th Moscow Biennale<EM>,<\/EM> Moscow, Russia. <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Peter Weibel;<BR>2011&nbsp; <EM>CAA Contemporary Art Archipelago,<\/EM> Turku Archipelago, Finland. <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Taru Elfving;<BR>2011&nbsp; <EM>Too late, too little, (and how) to fail gracefully,<\/EM> Fort Asperen, the<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Netherlands.&nbsp;Curated by Bik Van der Pol;<BR>2010&nbsp; <EM>Are You ready For TV?,<\/EM> MACBA, Barcelona, Spain. <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Chus Mart&#237;nez; <BR>2010&nbsp; <EM>Fluxus East. Fluxus Networks in Central Eastern Europe<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Henie Onstad Art Centre, Oslo, Norway. Curated by Petra Stegman;<BR>2010&nbsp; <EM>Lithuanian Art 2001-2010<\/EM>, CAC, Vilnius, Lithuania;<BR>2010&nbsp; <EM>The Creative Act<\/EM>, Henie Onstad Art Centre, Oslo, Norway. <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Tone Hansen;<BR>2010&nbsp; <EM>Territories of the In\/Human<\/EM>, W\u00fcrttembergischer Kunstverein Stuttgart,<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Germany. Curated by Hans D. Christ, Iris Dressler;<BR>2010&nbsp; <EM>Manufacturing Today<\/EM>, Trondheim Kunsthalle, Norway. <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Cristina Ricupero;<BR>2010&nbsp; <EM>Disobedience Archive<\/EM>, Raven Row gallery, London, UK. <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Marco Scotini;<BR>2010&nbsp; <EM>Gender Check<\/EM>, Zacheta National Gallery of Art, Warsaw, Poland;<BR>2009&nbsp; <EM>Gender Check<\/EM>, MUMOK, Vienna, Austria. Curated by Bojana Peji\u00e3;<BR>2009&nbsp; <EM>Uniforme<\/EM>, espacetemporaire, Gen&#232;ve, Switzerland;<BR>2009&nbsp; <EM>Live Art<\/EM>, Kunstnernes Hus, Oslo, Norway;<BR>2008&nbsp; <EM>italia italie italien italy wlochy<\/EM><BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ARCOS &#8211; Museo di Arte Contemporanea del Sannio, Benevento, Italy;<BR>2008&nbsp; <EM>Archive Fever: Uses of the Document in Contemporary Art,<\/EM><BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; International Center of Photography. Curated by Okwui Envezor;<BR>2007&nbsp; <EM>Forms of Resistance. Artists and desire for a social change<\/EM>.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Van Abbemuseum, Eindhoven. Curated by Marco Scotini;<BR>2007&nbsp; <EM>Fluxus East,<\/EM> Kunstlerhaus Bethanien, Berlin. Ludwig Museum, Budapest.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bunkier Stuky, Krakow. CAC, Vilnius.Curated by Petra Stegmann;<BR>2007&nbsp; <EM>9th Lyon Biennial of Contemporary Art,<\/EM>&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Stephanie Moisdon, Hans Ulrich Obrist;<BR>2007&nbsp;<EM> Progressive Nostalgia,<\/EM> Center for Contemporary Art&nbsp; \u201cL.Pecci\u201d,&nbsp; Prato, Italy.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Viktor Misiano;<BR>2007&nbsp; <EM>2 Moscow Biennale of contemporary art. Special projects<\/EM>, Moscow, Russia.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Lolita Jablonskiene;<BR>2006&nbsp; <EM>All our tomorrows: the culture of camouflage,<\/EM> Kunstraum&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; der Universitaet Lueneburg. Curated by Shaheen Merali;<BR>2006&nbsp; <EM>Gwangju Biennale 2006<\/EM>, Korea. Curated by Cristina Ricupero;<BR>2006&nbsp; <EM>Face the Unexpected<\/EM>. Museum am Ostwall and the PHOENIX<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Halle Dortmund. Curated by Dr. Inke Arns and Dr. Kurt Wettengl;<BR>2005&nbsp; <EM>Populism<\/EM>. Curated by Cristina Ricupero, Lars Bang Larsen,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Nicolaus Schafhausen; CAC, Vilnius. National Museum for Art,<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Architecture and Design,&nbsp;Oslo. Stedelijk Museum, Amsterdam.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Frankfurter Kunstverein Frankfurt a.M.;<BR>2005&nbsp; <EM>Madonna<\/EM>, Kunsthaus Dresden, Germany. Curated by Christiane Mennicke;<BR>2005&nbsp; <EM>Culturas de Archivo 4: Representaciones<\/EM>, Valiadolid, Spain.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Jorge Blasco Gallardo;<BR>2004&nbsp; <EM>Extended Views<\/EM>, Maastricht, The Netherlands. Curated by Jan Schuijren;<BR>2004 &nbsp;<EM>ISEA2004<\/EM>, Kunstihoone Tallinn Art Hall, Estonia;<BR>2004&nbsp; <EM>3rd berlin biennial for contemporary art<\/EM>, Berlin. Curated by Ute Meta Bauer;<BR>2004&nbsp; <EM>Auf Sendung<\/EM>, Galerie f\u00fcr Zeitgen\u00f6ssische Kunst Leipzig.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Julia Schafer;<BR>2003&nbsp; <EM>VJ7 \/ Verbindingen\/Jonctions<\/EM>, Constant vzw, Brussels;<BR>2003&nbsp; <EM>Neue Freunde<\/EM>, Akademie Schloss Solitude, Stuttgart;<BR>2003&nbsp; <EM>The Labyrinthine Effect<\/EM>, ACCA, Melbourne. Curated by Juliana Engeberg;<BR>2003&nbsp; <EM>Fate of Alien Modes<\/EM>, Secession, Viena. Curated by Constanze Ruhm;<BR>2003&nbsp; <EM>Money for Nothing<\/EM>, Artspace, Auckland, New Zealand.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Tobias Berger;<BR>2002&nbsp; <EM>Re-direct<\/EM>, haus.0, Kuenstlerhaus Stuttgart. Curated by Fareed Armaly;<BR>2002&nbsp; <EM>Voice Session\/Karaoke<\/EM>, Akademie Schloss Solitude, Stuttgart;<BR>2002&nbsp; <EM>Fundamentalisms of a New Order<\/EM>, Charlottenburg, Copenhagen.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Charlotte Brandt, Lars Bang Larsen, Cristina Ricupero;<BR>2002&nbsp; <EM>documenta 11<\/EM>, Kassel. Curated by Okwui Enwezor, and co-curators&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Carlos Basualdo, Ute Meta Bauer, Susanne Ghez, Sarat Maharaj, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mark Nash,&nbsp;Octavio Zaya;<BR>2002&nbsp; <EM>Manifesta 4<\/EM>, Frankfurt a.M. Curated by Iara Boubnova, Nuria Enguita Mayo,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; St\u00e9phanie Moisdon Trembley;<BR>2002&nbsp; <EM>The Music In Me<\/EM>, GAK, Bremen. Curated by Octavian Esanu;<BR>2002&nbsp; <EM>Learning And Singing<\/EM>, Hansapanga Galerii, Tallinn.&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Kestutis Kuizinas; Contemporary art center, Moscow;<BR>2001&nbsp; <EM>Self-Esteem<\/EM>, Contemporary Art Centre, Vilnius.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Anders Kreuger;<BR>2001&nbsp; <EM>Out of Money<\/EM>, Kulturhuset, Stockholm;<BR>2001&nbsp; <EM>Presence Balte<\/EM>, BAC Visby. Curated by Johan Pousette,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ileana Tounta Contemporary Art Center, Athens. Metronome, Barcelona;<BR>2000&nbsp; <EM>Innocent Life<\/EM>, Contemporary Art Centre, Vilnius.&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Lolita Jablonskiene;<BR>2000&nbsp; <EM>Duchamp&#8217;s Suitca<\/EM>se, Arnolfini, Bristol. Curated by Lolita Jablonskiene;<BR>1999&nbsp; <EM>NL-LT<\/EM>, Begane Grond Contemporary art center, Utrecht;<BR>1999&nbsp; <EM>Lithuanian Art: 1989-1999<\/EM>, Contemporary Art Centre, Vilnius;<BR>1999&nbsp; <EM>Apartment 99<\/EM>, project in private spaces, Vilnius;<BR>1998&nbsp; <EM>Twilight<\/EM>, Contemporary Art Centre, Vilnius;<BR>1997&nbsp; <EM>jutempus lounge, Lithuanian Art&#8217;97<\/EM>, Contemporary Art Center, Vilnius;<BR><BR><BR><STRONG>talks \/ presentations \/ workshops<BR><BR><\/STRONG>2011&nbsp; <EM>Bunker Guided Tour Performance<\/EM>, at Archipelago Logic:&nbsp;Towards <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Sustainable Future<EM>.<\/EM> CAA Symposium,&nbsp;Turku Archipelago, Finland;<BR>2011&nbsp;&nbsp;<EM>Kukarkin Seminar<\/EM>,&nbsp;research and seminar at 4th Moscow Biennale;<BR>2011&nbsp;&nbsp;<EM>First International Pigeon Race for the Cup of Fort Asperen<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; opening performance at Fort Asperen, the Netherlands;<BR>2011&nbsp; <EM>artists in public &#8211; interfering with reality: the yes men and <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; nomeda &amp; gediminas urbonas.<\/EM> Stedelijk Museum, Amsterdam;<BR>2011&nbsp; <EM>Workshop on Art &amp; Research in Public Sphere at Visual Arts <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; and Curatorial Studies<\/EM>, NABA &#8211; Italian Design Academy, Milano, Italy;<BR>2010&nbsp; <EM>Symposium on Contemporary Art and Visual Culture in Education<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Nordic Research Fund \u2013 Stockholm, Sweden;<BR>2010&nbsp; <EM>Conference on Art &amp; Research in Public Sphere<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Center for Contemporary art, Chisinau, Moldova;<BR>2010&nbsp; <EM>Lecture by Urbonas&nbsp;and Michel Verlaine, economist<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; W\u00fcrttembergischer Kunstverein Stuttgart, Germany.<BR>2010&nbsp; <EM>Artist\u2019s talk<\/EM>, Modern Art Oxford, Oxford, UK;<BR>2010&nbsp; <EM>Workshop on Art &amp; Research in Public Sphere at Visual Arts <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; and Curatorial Studies<\/EM>, NABA &#8211; Italian Design Academy, Milano, Italy;<BR>2010&nbsp; <EM>De-schooling Society Conference<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Serpentine Gallery and Hayward Gallery London, UK;<BR>2010&nbsp; <EM>Seminar Public Art and New Media<\/EM>, Harvard University, Cambridge, USA;<BR>2010&nbsp; <EM>The \u201cMotor\u201d of the Artist<\/EM>, Department of Visual and Environmental Studies,<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Harvard University, Cambridge, USA;<BR>2009&nbsp; <EM>Whatever Happened to Net Art?,<\/EM> Conference at IASPIS, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Stockholm, Sweden;<BR>2009&nbsp; <EM>Protest City<\/EM>, lecture at MIT Visual Arts Program Lecture Series, MIT,<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Cambridge, USA;<BR>2009&nbsp; <EM>Sensuous Knowledge 6: Reflection, Relevance and Responsibility<\/EM>,<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; conference by Bergen National Academy of the Arts, Solstrand, Norway;<BR>2009&nbsp; <EM>Cities and the New Wars<\/EM>, Conference at the Columbia University, NY, USA;<BR>2009&nbsp; <EM>Research by Design<\/EM>, biannual seminar by Faculty of Architecture <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; and Fine Art, NTNU, DokkHuset, Trondheim, Norway;<BR>2009&nbsp; <EM>Children Of The Revolution &#8211; SOLIDARITY\/Solidarities<\/EM>,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Conference at the University College London, UK;<BR>2009&nbsp; <EM>Workshop at Visual Arts and Curatorial Studies<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; NABA &#8211; Italian Design Academy, Milano, Italy;<BR>2009&nbsp; <EM>The Next Step. Conference on art museums<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Moderna galerija, Ljubljana, Slovenia;<BR>2009&nbsp; <EM>Socially engaged collective activities and self-organization<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; workshop at Finnish Academy of Fine Arts, Finland;<BR>2009&nbsp; <EM>Bio-diversity, Collision<\/EM> &#8211; VAP lecture series on science, technology <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; and contemporary art, MIT, Cambridge, USA;<BR>2008&nbsp;&nbsp;<EM>Participatory Strategies. Conversations europ\u00e9ennes<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Jeu de Paume, Paris, France;<BR>2008&nbsp;&nbsp;<EM>Lo que nos queda \/ What\u2019s left, what remains?<\/EM> VI International Symposium<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; on Contemporary Art Theory (SITAC). Mexico City, Mexico;<BR>2008&nbsp; <EM>Manufacturing Today. Vilnius Workshop<\/EM>, conference and workshop <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; on radical pedagogy with partner network between KIT, NTNU \u2013<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Norwegian University of Science and Technology, Finish Academy of Fine<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Arts, Malmo Art Academy, Goldsmiths University of London, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Vilnius Academy of Arts;<BR>2007&nbsp;&nbsp;<EM>Art Institutions as Catalysts or Indicators,<\/EM> LCCA, Riga, Latvia;<BR>2007&nbsp;&nbsp;<EM>Land of Human Rights &#8211; Artistic and Activist Strategies <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; of Making Human Rights Visible,<\/EM> Rotor, Graz, Austria;<BR>2007&nbsp;&nbsp;<EM>Vilnius Media Seminar,<\/EM> Vilnius University, Vilnius;<BR>2007&nbsp;&nbsp;<EM>Fluxus is not dead, it just smells funny &#8230; conference <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &#8220;Fluxus &#8211; Networks Between West and East&#8221;.<\/EM> Berlin Art Forum, Berlin;<BR>2007&nbsp;&nbsp;<EM>Urban festival,<\/EM> Zagreb, Croatia;;<BR>2005&nbsp;&nbsp;<EM>Shifting Boundaries<\/EM>, KKH, Royal University College of Fine Arts, Stockholm;<BR>2005&nbsp;&nbsp;<EM>Soft Freedom,<\/EM>&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Trondheim MATCHMAKING festival of electronic art, Trondheim;<BR>2005&nbsp;&nbsp;<EM>Appendix.Kiss the Frog!<\/EM> Seminar with Tone Hansen,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The National Museum,the National Gallery, Oslo;<BR>2005&nbsp;&nbsp;<EM>Role of the museums of contemporary art,<\/EM>&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; International conference, MOCA, Belgrade;<BR>2005&nbsp;&nbsp;<EM>Navigating Globalisation<\/EM>, NTNU, Norway;<BR>2004&nbsp;&nbsp;<EM>Who If Not We<\/EM>, Stedelijk Museum, Amsterdam, The Netherlands;<BR>2004&nbsp;&nbsp;<EM>RAM6: Social interaction and collective intelligence<\/EM>,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; VILMA, CAC, Vilnius;<BR>2004&nbsp;&nbsp;<EM>Art. What is it good for?<\/EM> Dartington College of Arts, UK;<BR>2004&nbsp;&nbsp;<EM>A New Deal<\/EM>, AICA, Stockholm, Sweden;<BR>2003&nbsp;&nbsp;<EM>Gender and Cinema<\/EM>, GAP, Vilnius;<BR>2003&nbsp;&nbsp;<EM>Verbindingen\/Jonctions<\/EM>, Constant vzw, Brussels<BR>2003&nbsp;&nbsp;<EM>artist&#8217;s talk<\/EM>, Secession, Viena;<BR>2003&nbsp;&nbsp;<EM>Absence of voice is recovered<\/EM>, artist&#8217;s talk,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; OCA &#8211; International Studio Program in Oslo;<BR>2003&nbsp;&nbsp;<EM>workshop<\/EM> at Trondheim Academy of Fine Art, NTNU;<BR>2002&nbsp;&nbsp;<EM>lecture<\/EM> at Fachhochshule Darmstadt University of Applied Sciences;<BR>2002&nbsp;&nbsp;<EM>artist&#8217;s talk<\/EM>, platform program at Charlottenburg, Copenhagen;<BR>2002&nbsp;&nbsp;<EM>creative session<\/EM> at AWID&#8217;s 9th International Forum, Guadalajara, Mexico;<BR>2002&nbsp;&nbsp;<EM>artist&#8217;s talk<\/EM> at Transmediale salon, Podewil, Berlin;<BR>2002&nbsp;&nbsp;<EM>Djembe session<\/EM>, workshop, documenta 11, Kassel;<BR>2002&nbsp;&nbsp;<EM>TransMute, artist&#8217;s talk<\/EM> at Manifesta 4, Frankfurt a.M;<BR>2002&nbsp;&nbsp;<EM>presenation<\/EM> of <A href=\"http:\/\/www.transaction.lt\/\" target=_blank>http:\/\/www.transaction.lt\/<\/A>&nbsp;&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; at&nbsp;Contemporary Art Center, Vilnius;<BR>2002&nbsp;&nbsp;<EM>Transaction<\/EM>, creative session at Ludwig Museum Budapest;<BR>2002&nbsp;&nbsp;<EM>The Power of Communication<\/EM>, workshop,<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The Cube\/KTH Royal Technical University, Stockholm;<BR>2001&nbsp;&nbsp;<EM>Transaction workshop<\/EM>, Valand school of art, Goteborg University;<BR>2001&nbsp;&nbsp;<EM>Money &#8211; A Commentary On the New Economy<\/EM>, seminar,&nbsp;&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kulturhuset Stockholm;<BR>2000&nbsp;&nbsp;<EM>Art + Communication 3<\/EM>, new media art festival at E-LAB, Ryga;<BR>2000&nbsp;&nbsp;<EM>Minsk Connection<\/EM>, new media art conference at CRAC, Stockholm;<BR>2000&nbsp;&nbsp;<EM>Presence<\/EM>, media art conference &amp; workshop, Atelier Nord, Oslo;<BR>1999&nbsp;&nbsp;<EM>TEMP<\/EM>, tactical media project at Kiasma Contemporary Art museum, Helsinki;<BR>1999&nbsp;&nbsp;<EM>Changing The System?<\/EM>, symposium, NAI Rotterdam;<BR>1998&nbsp;&nbsp;<EM>XU-BIN<\/EM> conference of art and communication, Architects Union, E-LAB Riga;<BR><BR><BR><STRONG>screenings<BR><BR><\/STRONG>2007&nbsp;&nbsp;Still Here: humour in post-communist performative video. Art Space, Sidney;<BR>2006&nbsp;&nbsp;Sex and Sadness, Platform Garanti, Istanbul, Turkey;<BR>2006&nbsp;&nbsp;Sex and Sadness, Exploding Television &#8211; Satellite of Love \/<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Witte de With, center for contemporary art \/&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; International Film Festival Rotterdam;<BR>2005&nbsp;&nbsp;Femme Totale, International Film Festival, Dortmund, Germany;<BR>2004&nbsp;&nbsp;Klangraum, Festival of Contemporary Music, Stuttgart, Germany;<BR>2004&nbsp;&nbsp;Social Affairs, Den Haag, The Netherlands;<BR>2004&nbsp;&nbsp;Gender &amp; Media, Galerie f\u00fcr Zeitgen\u00f6ssische Kunst Leipzig;<BR>2004&nbsp;&nbsp;Show Unit, Riksutst\u00e4llningar, Sweden;<BR>2003&nbsp;&nbsp;Moving Territories, Merz Akademie \/ Akademie Schloss Solitude, Stuttgart;<BR>2003&nbsp;&nbsp;Baltxploitation, NY University, NY;<BR>2003&nbsp;&nbsp;It is hard to touch the real, Kunstverein Munich;<BR>2002&nbsp;&nbsp;Montreal International Festival of New Cinema and New Media, Canada;<BR>2002&nbsp;&nbsp;Transat video, Caen, France;<BR>2002&nbsp;&nbsp;48th International Short Film Festival Oberhausen;<BR><BR><BR><STRONG>projects<BR><BR><\/STRONG>2011&nbsp; <EM>Boston Chapter<\/EM>, at <EM>Disobedience Ongoing Archive<\/EM> project <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; co-curated together with&nbsp;Marco Scotini,&nbsp;MIT, Cambridge, MA;<BR>2011&nbsp; <EM>UTO-PIA<\/EM>, project for Contemporary Art Archipelago, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a respond to and a reflection on&nbsp;the environmental challenge, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; fragile ecosystem and biosphere&nbsp;of the Baltic sea;<BR>2010&nbsp; <EM>Splitnik: rereading of the book<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; translation project of the book \u201cBeyond Welfare\u201d (1974) by A.Kukarkin&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; on cultural criticism and analysis of the culture and ideology <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; of the capitalist world in the later twentieth century;<BR>2010&nbsp; <EM>River project<\/EM>, a study at river Thames <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; to rethink culture of sport and art;<BR>2008&nbsp; <EM>GVS (Guggenheim Visibility Study),<\/EM> an experimental pedagogy group <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; conducting case studies, field trips, documentation and archive <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; to research and underprop the planned Guggenheim Hermitage Museum in<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Vilnius;<BR>2007&nbsp; <EM>VILLA LITUANIA<\/EM>, research on deprivation, occupation and privatization <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; of a territory;<BR>2005&nbsp; <EM>pro-test lab<\/EM>, a generator and archive of all available forms of protest&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; against the situation\/disappearance of the biggest cinema theater <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;in Lithuania,&nbsp;called LIETUVA, focusing on the discourse of public space <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; vs corporate privatization; <BR>2003&nbsp; <EM>DRUZBA(friendship)<\/EM>, a study of psycho-geography of the network;<BR>2002&nbsp; <EM>Ruta Remake<\/EM>, study of voice;<BR>2002&nbsp; <EM>RAM: Re-Approaching New Media<\/EM>, &#8211; the crossing networks of <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; CRAC (Sweden), Atelier Nord;(Norway), E-Media Center (Estonia), <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Olento (Finland),&nbsp;RIXC (Latvia), VILMA (Lithuania);<BR>2002&nbsp; <A href=\"http:\/\/www.transaction.lt\/\" target=_blank>http:\/\/www.transaction.lt\/<\/A>&nbsp;&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ongoing web-documentation for TRANSACTION;<BR>2000&nbsp; <EM>TRANSACTION<\/EM>, interdisciplinary study of script of the victim;<BR>1998\/99&nbsp; <EM>tvvv.plotas<\/EM>, interdisciplinary project: television, videoconference, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; net-cast;<BR>1997&nbsp; <EM>Ground Control<\/EM>, technology and utopia: a book, website and exhibition,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a collaboration between Beaconsfield, London and jutempus, Vilnius;<BR><BR><BR><STRONG>audio\/video\/publications\/production<BR><BR><\/STRONG>2008&nbsp; Nomeda &amp; Gediminas Urbonas. Devices For Action. \/&nbsp;book [in English,<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Spanish, Catalan], Barcelona: Museu d&#8217;Art Contemporani de Barcelona;<BR>2008&nbsp; Nomeda &amp; Gediminas Urbonas. VILLA LITUANIA. \/ book [in English],<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Berlin, New York: Sternberg Press;<BR>2007&nbsp; AMBASSADOR IN EXILE.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 11\u201926\u201d;<BR>2007&nbsp; DEFENDING THE LOFT.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 7\u201948\u201d;<BR>2007&nbsp; REHEARSAL AT THE PALACE OF CULTURE AND SPORTS.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 7\u201931\u201d;<BR>2007&nbsp; DEFENDING THE VILLA. GRAFFITI.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 5\u201948\u201d;<BR>2007&nbsp; DEFENDING THE VILLA. THE LATVIANS.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, B&amp;W, sound, 1\u201958\u201d;<BR>2007&nbsp; ARCHITECTURE WORKSHOP (HEART &amp; HEARTH).<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, B&amp;W, sound, 1\u201918\u201d;<BR>2007&nbsp; CALLING THE RUSSIANS.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 1\u201937\u201d;<BR>2007&nbsp; AMBASSADOR&#8217;S SONG.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 3\u201932\u201d;<BR>2006&nbsp; LIETUVA. SOLD OUT.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 17\u2019;<BR>2005&nbsp; Cinemas disappeared.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, 5\u2019;<BR>2005&nbsp; VIP market.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 3\u2019;<BR>2005&nbsp; pro-test lab slide show.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, 20\u201927\u201d;<BR>2005&nbsp; SOLD OUT.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 14\u201920\u201d;<BR>2005&nbsp; America will help us.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 2\u2019;<BR>2005&nbsp; Dogs barking will not disturb the clouds.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound,&nbsp; 2\u2019;<BR>2005&nbsp; Human-chain of Swimming Enthusiasts.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 3\u2019;<BR>2005&nbsp; TV bridge: Oslo&#8212;LIETUVA.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 15\u2019;<BR>2005&nbsp; tvvv.plotas. TV space. A set of 10 DVDs, 30\u2019 each, Vilnius: jutempus; <BR>2005&nbsp; Ruta remake. Dresden mix. CD, 40\u2019, Kunsthaus Dresden; <BR>2004&nbsp; Ruta Remake voice archive mix live. CD, 46\u2019, Vilnius: CAC;<BR>2004&nbsp;&nbsp;Image of women. Documentary film program. <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 55\u2019\u2019;<BR>2002&nbsp; TRANSACTION. Psychiatrists\u2019 Session.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, English subtitles, 27\u2019;<BR>2002&nbsp; TRANSACTION. ANIMATION. psycho session . <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; BETA transferred to DVD, colour, sound, English subtitles, 32\u2019;<BR>2002&nbsp; TRANSACTION. Interviews With Women About Voice.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, English subtitles, 23\u2019;<BR>2001&nbsp; KARAOKE. Mini DV transferred to DVD, colour, sound, 15\u2019;<BR>2001&nbsp; Media and Gender Order. Lithuanian Peculiarities. CD-ROM [in English],&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Vilnius: jutempus;<BR>2001&nbsp; TRANSACTION. notebook [in English], Vilnius: jutempus; <BR>2000&nbsp; TRANSACTION. CD-ROM [in English], Vilnius: jutempus;<BR>2000&nbsp; TRANSACTION. Psychiatrists\u2019 Session.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; BETA transferred to DVD, colour, sound, English subtitles, 27\u2019;<BR>2000&nbsp; TRANSACTION. Film archive (compilation used at the psychiatrists\u2019<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; session).&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, b\/w, sound, English subtitles, 27\u2019;<BR>2000&nbsp; TRANSACTION. Interviews With Women About Films.&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, English subtitles, 30\u2019;<BR>1999&nbsp; tvvv.plot&#8217;as archive. Interactive video, quicktime, colour, 150\u2019;<BR>1999&nbsp; tvvv.plotas. TV program in 10 parts 30\u2019 each, BETA, colour, sound;<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CV Nomeda &amp; Gediminas Urbonasborn 1968 Kaunas \/ 1966 Vilniuslives and works in Cambridge, MA, USA and Vilnius, Lithuania info@nugu.lt345 Harvard Street 4FCambridge, MA 02138, USAMildos 11-13, LT-10311 VilniusLithuania2009&nbsp; GU is associate professor at ACT, MIT, Cambridge, USA;2008&nbsp; GU is professor at KIT \/ NTNU, Art Academy in Trondheim, Norway;2008&nbsp; NU is PhD research fellow &#8230; <a title=\"cv eilutes\" class=\"read-more\" href=\"https:\/\/nugu.lt\/dossier\/?p=197&#038;lang=lt\" aria-label=\"Read more about cv eilutes\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[130],"tags":[647,962],"class_list":["post-197","post","type-post","status-publish","format-standard","hentry","category-cat-lt-214","tag-lt-lt","tag-old-id-408-lt"],"_links":{"self":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=197"}],"version-history":[{"count":1,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/197\/revisions"}],"predecessor-version":[{"id":1349,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/197\/revisions\/1349"}],"wp:attachment":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}