{"id":30,"date":"2025-12-10T20:26:39","date_gmt":"2025-12-10T20:26:39","guid":{"rendered":""},"modified":"2025-12-10T20:26:39","modified_gmt":"2025-12-10T20:26:39","slug":"news-en-366","status":"publish","type":"post","link":"https:\/\/nugu.lt\/dossier\/?p=30","title":{"rendered":"cv"},"content":{"rendered":"<p><P><FONT style=\"BACKGROUND-COLOR: #000000\" color=#ffffff>CV<\/FONT><\/P><br \/>\n<P>Nomeda &amp; Gediminas Urbonas have established an international reputation for socially interactive and interdisciplinary practice exploring the conflicts and contradictions posed by the economic, social, and political conditions in the former Soviet countries. They develop models for social and artistic practice with the interest to design organizational structures that questions the relativity of freedom. They use art platform to render public spaces for interaction and engagement of the social groups, evoking local communities and encouraging their cultural and political imagination.<BR><BR>Combining the tools of new and traditional media, Urbonas&#8217;s work frequently involves collective activities such as workshops, lectures, debates, TV programs, Internet chat-rooms and public protests that stand at the intersection of art, technology and social criticism. Urbonas are the cofounders of JUTEMPUS interdisciplinary art program, VILMA (Vilnius Interdisciplinary Lab for Media Art), and VOICE, a net based publication on media culture. Their works were exhibited at the San Paulo, Berlin, Moscow, Lyon and Gwangju and Venice Biennales, Manifesta and Documenta exhibitions \u2013 among numerous other international shows, including a solo show at MACBA in Barcelona. They have been awarded a number of high level grants and residency awards, including the Lithuanian National Prize (2007); a fellowship at the Montalvo Arts Center in California (2007\/08); a Prize for the Best International Artist at the Gwangju Biennale (2006) and the Honourable Mention for the national pavilion at the Venice Biennale (2007).<BR><BR>Gediminas Urbonas is an Associate Professor in the Art, Culture and Technology Program at MIT. Nomeda Urbonas is PhD researcher at Norwegian University for Science and Technology.<BR><BR><BR><BR>Nomeda &amp; Gediminas Urbonas<BR>born 1968 Kaunas \/ 1966 Vilnius<BR>lives and works in Cambridge, MA, USA and Vilnius, Lithuania <BR><BR><A href=\"mailto:info@nugu.lt\">info@nugu.lt<\/A><BR><BR>345 Harvard Street 4F<BR>Cambridge, MA 02138, USA<BR><BR>Mildos 11-13, <BR>LT-10311 Vilnius<BR>Lithuania<BR><BR>2009&nbsp; GU is associate professor at ACT, MIT, Cambridge, USA;<BR>2008&nbsp; GU is professor at KIT \/ NTNU, Art Academy in Trondheim, Norway;<BR>2008&nbsp; NU is PhD research fellow at NTNU, Faculty of Architecture and Fine Art,<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Trondheim, Norway;<BR>2005&nbsp; emanuensis at KIT \/ NTNU, Art Academy in Trondheim, Norway;<BR>2005&nbsp;&nbsp;co-founders of VOICE, net based publication on media culture:<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A href=\"http:\/\/www.vilma.cc\/balsas\" target=_blank>www.vilma.cc\/balsas<\/A><BR>2000&nbsp;&nbsp;co-founders of VILMA &#8211; Vilnius Interdisciplinary Lab for Media Art;<BR>1997&nbsp;&nbsp;co-founders of JUTEMPUS interdisciplinary art program;<BR><BR><BR><STRONG>grants\/awards<BR><BR><\/STRONG>2010&nbsp; Fellowship at Oxford Brookes University, Oxford, UK;<BR>2007&nbsp; Lithuanian National Prize for achievements in the arts and culture;<BR>2007&nbsp; Honourable Mention to a National Pavilion&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;at 52nd International Art Exhibition of La Biennale di Venezia;<BR>2007\/08&nbsp; Fellowship at Montalvo Arts Center, CA, U.S.A.;<BR>2006&nbsp; Prize for the Best International Artist at Gwangju Biennale 2006, Korea;<BR>2004\/05&nbsp; State grant of the Republic of Lithuania;<BR>2003&nbsp; OCA grant at the International Studio Program in Oslo;<BR>2002&nbsp; Fellowship at the&nbsp; Akademie Schloss Solitude, Stuttgart;<BR>2001&nbsp; NIFCA grant for&nbsp; IASPIS &#8211; International Studio Program, Stockholm;<BR>1998&nbsp; State grant of the Republic of Lithuania;<BR><BR><BR><STRONG>solo exhibitions<BR><BR><\/STRONG>2011&nbsp; <EM>Boston Chapter<\/EM>, at <EM>Disobedience Ongoing Archive<\/EM> project <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; co-curated together with&nbsp;Marco Scotini,&nbsp;MIT, Cambridge, MA;<BR>2011&nbsp; <EM>Learning and Playing<\/EM>, Wolk Gallery, MIT, Cambridge, MA;<BR>2008&nbsp; <EM>Devices for Action<\/EM>, MACBA, Barcelona. Curated by Bartomeu Mari;<BR>2007&nbsp; <EM>Villa Lituania<\/EM> \/ 52nd Biennale di Venezia, The Lithuanian Pavilion.&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Simon Rees;<BR>2004&nbsp; <EM>RR: Ruta Remake<\/EM> \/ CAC, Vilnius. Curated by Kestutis Kuizinas;<BR>2003&nbsp; <EM>Ruta Remake<\/EM> \/ Substream, Kunstnernes Hus, Oslo;<BR>2002&nbsp; <EM>TRANSmute<\/EM>, Sprengel Museum, Hannover. Curated by Inka Schube;<BR>2002&nbsp; <EM>TRANSACTION \/ translation<\/EM>, Ludwig Museum, Budapest.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Dora Hegyi;<BR>2001&nbsp; <EM>TRANSACTION \/ unpacked<\/EM>, IASPIS, Stockholm. Curated by Sara Arhenius;<BR>2000&nbsp; <EM>TRANSACTION<\/EM>, haus.0, Kuenstlerhaus Stuttgart. Curated by Fareed Armaly;<BR>2000&nbsp; <EM>TRANSACTION<\/EM> \/ Strangers &amp; Paradise,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Witte de With contemporary art center Rotterdam. <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Bartomeu Mari;<BR><BR><BR><STRONG>selected group exhibitions<\/STRONG> <BR><BR>2011&nbsp; 4th Moscow Biennale<EM>,<\/EM> Moscow, Russia. <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Peter Weibel;<BR>2011&nbsp; <EM>CAA Contemporary Art Archipelago,<\/EM> Turku Archipelago, Finland. <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Taru Elfving;<BR>2011&nbsp; <EM>Too late, too little, (and how) to fail gracefully,<\/EM> Fort Asperen, the<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Netherlands.&nbsp;Curated by Bik Van der Pol;<BR>2010&nbsp; <EM>Are You ready For TV?,<\/EM> MACBA, Barcelona, Spain. <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Chus Mart&#237;nez; <BR>2010&nbsp; <EM>Fluxus East. Fluxus Networks in Central Eastern Europe<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Henie Onstad Art Centre, Oslo, Norway. Curated by Petra Stegman;<BR>2010&nbsp; <EM>Lithuanian Art 2001-2010<\/EM>, CAC, Vilnius, Lithuania;<BR>2010&nbsp; <EM>The Creative Act<\/EM>, Henie Onstad Art Centre, Oslo, Norway. <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Tone Hansen;<BR>2010&nbsp; <EM>Territories of the In\/Human<\/EM>, W\u00fcrttembergischer Kunstverein Stuttgart,<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Germany. Curated by Hans D. Christ, Iris Dressler;<BR>2010&nbsp; <EM>Manufacturing Today<\/EM>, Trondheim Kunsthalle, Norway. <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Cristina Ricupero;<BR>2010&nbsp; <EM>Disobedience Archive<\/EM>, Raven Row gallery, London, UK. <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Marco Scotini;<BR>2010&nbsp; <EM>Gender Check<\/EM>, Zacheta National Gallery of Art, Warsaw, Poland;<BR>2009&nbsp; <EM>Gender Check<\/EM>, MUMOK, Vienna, Austria. Curated by Bojana Peji\u00e3;<BR>2009&nbsp; <EM>Uniforme<\/EM>, espacetemporaire, Gen&#232;ve, Switzerland;<BR>2009&nbsp; <EM>Live Art<\/EM>, Kunstnernes Hus, Oslo, Norway;<BR>2008&nbsp; <EM>italia italie italien italy wlochy<\/EM><BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ARCOS &#8211; Museo di Arte Contemporanea del Sannio, Benevento, Italy;<BR>2008&nbsp; <EM>Archive Fever: Uses of the Document in Contemporary Art,<\/EM><BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; International Center of Photography. Curated by Okwui Envezor;<BR>2007&nbsp; <EM>Forms of Resistance. Artists and desire for a social change<\/EM>.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Van Abbemuseum, Eindhoven. Curated by Marco Scotini;<BR>2007&nbsp; <EM>Fluxus East,<\/EM> Kunstlerhaus Bethanien, Berlin. Ludwig Museum, Budapest.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bunkier Stuky, Krakow. CAC, Vilnius.Curated by Petra Stegmann;<BR>2007&nbsp; <EM>9th Lyon Biennial of Contemporary Art,<\/EM>&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Stephanie Moisdon, Hans Ulrich Obrist;<BR>2007&nbsp;<EM> Progressive Nostalgia,<\/EM> Center for Contemporary Art&nbsp; \u201cL.Pecci\u201d,&nbsp; Prato, Italy.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Viktor Misiano;<BR>2007&nbsp; <EM>2 Moscow Biennale of contemporary art. Special projects<\/EM>, Moscow, Russia.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Lolita Jablonskiene;<BR>2006&nbsp; <EM>All our tomorrows: the culture of camouflage,<\/EM> Kunstraum&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; der Universitaet Lueneburg. Curated by Shaheen Merali;<BR>2006&nbsp; <EM>Gwangju Biennale 2006<\/EM>, Korea. Curated by Cristina Ricupero;<BR>2006&nbsp; <EM>Face the Unexpected<\/EM>. Museum am Ostwall and the PHOENIX<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Halle Dortmund. Curated by Dr. Inke Arns and Dr. Kurt Wettengl;<BR>2005&nbsp; <EM>Populism<\/EM>. Curated by Cristina Ricupero, Lars Bang Larsen,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Nicolaus Schafhausen; CAC, Vilnius. National Museum for Art,<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Architecture and Design,&nbsp;Oslo. Stedelijk Museum, Amsterdam.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Frankfurter Kunstverein Frankfurt a.M.;<BR>2005&nbsp; <EM>Madonna<\/EM>, Kunsthaus Dresden, Germany. Curated by Christiane Mennicke;<BR>2005&nbsp; <EM>Culturas de Archivo 4: Representaciones<\/EM>, Valiadolid, Spain.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Jorge Blasco Gallardo;<BR>2004&nbsp; <EM>Extended Views<\/EM>, Maastricht, The Netherlands. Curated by Jan Schuijren;<BR>2004 &nbsp;<EM>ISEA2004<\/EM>, Kunstihoone Tallinn Art Hall, Estonia;<BR>2004&nbsp; <EM>3rd berlin biennial for contemporary art<\/EM>, Berlin. Curated by Ute Meta Bauer;<BR>2004&nbsp; <EM>Auf Sendung<\/EM>, Galerie f\u00fcr Zeitgen\u00f6ssische Kunst Leipzig.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Julia Schafer;<BR>2003&nbsp; <EM>VJ7 \/ Verbindingen\/Jonctions<\/EM>, Constant vzw, Brussels;<BR>2003&nbsp; <EM>Neue Freunde<\/EM>, Akademie Schloss Solitude, Stuttgart;<BR>2003&nbsp; <EM>The Labyrinthine Effect<\/EM>, ACCA, Melbourne. Curated by Juliana Engeberg;<BR>2003&nbsp; <EM>Fate of Alien Modes<\/EM>, Secession, Viena. Curated by Constanze Ruhm;<BR>2003&nbsp; <EM>Money for Nothing<\/EM>, Artspace, Auckland, New Zealand.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Tobias Berger;<BR>2002&nbsp; <EM>Re-direct<\/EM>, haus.0, Kuenstlerhaus Stuttgart. Curated by Fareed Armaly;<BR>2002&nbsp; <EM>Voice Session\/Karaoke<\/EM>, Akademie Schloss Solitude, Stuttgart;<BR>2002&nbsp; <EM>Fundamentalisms of a New Order<\/EM>, Charlottenburg, Copenhagen.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Charlotte Brandt, Lars Bang Larsen, Cristina Ricupero;<BR>2002&nbsp; <EM>documenta 11<\/EM>, Kassel. Curated by Okwui Enwezor, and co-curators&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Carlos Basualdo, Ute Meta Bauer, Susanne Ghez, Sarat Maharaj, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mark Nash,&nbsp;Octavio Zaya;<BR>2002&nbsp; <EM>Manifesta 4<\/EM>, Frankfurt a.M. Curated by Iara Boubnova, Nuria Enguita Mayo,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; St\u00e9phanie Moisdon Trembley;<BR>2002&nbsp; <EM>The Music In Me<\/EM>, GAK, Bremen. Curated by Octavian Esanu;<BR>2002&nbsp; <EM>Learning And Singing<\/EM>, Hansapanga Galerii, Tallinn.&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Kestutis Kuizinas; Contemporary art center, Moscow;<BR>2001&nbsp; <EM>Self-Esteem<\/EM>, Contemporary Art Centre, Vilnius.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Anders Kreuger;<BR>2001&nbsp; <EM>Out of Money<\/EM>, Kulturhuset, Stockholm;<BR>2001&nbsp; <EM>Presence Balte<\/EM>, BAC Visby. Curated by Johan Pousette,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ileana Tounta Contemporary Art Center, Athens. Metronome, Barcelona;<BR>2000&nbsp; <EM>Innocent Life<\/EM>, Contemporary Art Centre, Vilnius.&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Curated by Lolita Jablonskiene;<BR>2000&nbsp; <EM>Duchamp&#8217;s Suitca<\/EM>se, Arnolfini, Bristol. Curated by Lolita Jablonskiene;<BR>1999&nbsp; <EM>NL-LT<\/EM>, Begane Grond Contemporary art center, Utrecht;<BR>1999&nbsp; <EM>Lithuanian Art: 1989-1999<\/EM>, Contemporary Art Centre, Vilnius;<BR>1999&nbsp; <EM>Apartment 99<\/EM>, project in private spaces, Vilnius;<BR>1998&nbsp; <EM>Twilight<\/EM>, Contemporary Art Centre, Vilnius;<BR>1997&nbsp; <EM>jutempus lounge, Lithuanian Art&#8217;97<\/EM>, Contemporary Art Center, Vilnius;<BR><BR><BR><STRONG>talks \/ presentations \/ workshops<BR><BR><\/STRONG>2011&nbsp; <EM>Bunker Guided Tour Performance<\/EM>, at Archipelago Logic:&nbsp;Towards <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Sustainable Future<EM>.<\/EM> CAA Symposium,&nbsp;Turku Archipelago, Finland;<BR>2011&nbsp;&nbsp;<EM>Kukarkin Seminar<\/EM>,&nbsp;research and seminar at 4th Moscow Biennale;<BR>2011&nbsp;&nbsp;<EM>First International Pigeon Race for the Cup of Fort Asperen<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; opening performance at Fort Asperen, the Netherlands;<BR>2011&nbsp; <EM>artists in public &#8211; interfering with reality: the yes men and <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; nomeda &amp; gediminas urbonas.<\/EM> Stedelijk Museum, Amsterdam;<BR>2011&nbsp; <EM>Workshop on Art &amp; Research in Public Sphere at Visual Arts <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; and Curatorial Studies<\/EM>, NABA &#8211; Italian Design Academy, Milano, Italy;<BR>2010&nbsp; <EM>Symposium on Contemporary Art and Visual Culture in Education<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Nordic Research Fund \u2013 Stockholm, Sweden;<BR>2010&nbsp; <EM>Conference on Art &amp; Research in Public Sphere<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Center for Contemporary art, Chisinau, Moldova;<BR>2010&nbsp; <EM>Lecture by Urbonas&nbsp;and Michel Verlaine, economist<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; W\u00fcrttembergischer Kunstverein Stuttgart, Germany.<BR>2010&nbsp; <EM>Artist\u2019s talk<\/EM>, Modern Art Oxford, Oxford, UK;<BR>2010&nbsp; <EM>Workshop on Art &amp; Research in Public Sphere at Visual Arts <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; and Curatorial Studies<\/EM>, NABA &#8211; Italian Design Academy, Milano, Italy;<BR>2010&nbsp; <EM>De-schooling Society Conference<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Serpentine Gallery and Hayward Gallery London, UK;<BR>2010&nbsp; <EM>Seminar Public Art and New Media<\/EM>, Harvard University, Cambridge, USA;<BR>2010&nbsp; <EM>The \u201cMotor\u201d of the Artist<\/EM>, Department of Visual and Environmental Studies,<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Harvard University, Cambridge, USA;<BR>2009&nbsp; <EM>Whatever Happened to Net Art?,<\/EM> Conference at IASPIS, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Stockholm, Sweden;<BR>2009&nbsp; <EM>Protest City<\/EM>, lecture at MIT Visual Arts Program Lecture Series, MIT,<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Cambridge, USA;<BR>2009&nbsp; <EM>Sensuous Knowledge 6: Reflection, Relevance and Responsibility<\/EM>,<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; conference by Bergen National Academy of the Arts, Solstrand, Norway;<BR>2009&nbsp; <EM>Cities and the New Wars<\/EM>, Conference at the Columbia University, NY, USA;<BR>2009&nbsp; <EM>Research by Design<\/EM>, biannual seminar by Faculty of Architecture <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; and Fine Art, NTNU, DokkHuset, Trondheim, Norway;<BR>2009&nbsp; <EM>Children Of The Revolution &#8211; SOLIDARITY\/Solidarities<\/EM>,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Conference at the University College London, UK;<BR>2009&nbsp; <EM>Workshop at Visual Arts and Curatorial Studies<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; NABA &#8211; Italian Design Academy, Milano, Italy;<BR>2009&nbsp; <EM>The Next Step. Conference on art museums<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Moderna galerija, Ljubljana, Slovenia;<BR>2009&nbsp; <EM>Socially engaged collective activities and self-organization<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; workshop at Finnish Academy of Fine Arts, Finland;<BR>2009&nbsp; <EM>Bio-diversity, Collision<\/EM> &#8211; VAP lecture series on science, technology <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; and contemporary art, MIT, Cambridge, USA;<BR>2008&nbsp;&nbsp;<EM>Participatory Strategies. Conversations europ\u00e9ennes<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Jeu de Paume, Paris, France;<BR>2008&nbsp;&nbsp;<EM>Lo que nos queda \/ What\u2019s left, what remains?<\/EM> VI International Symposium<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; on Contemporary Art Theory (SITAC). Mexico City, Mexico;<BR>2008&nbsp; <EM>Manufacturing Today. Vilnius Workshop<\/EM>, conference and workshop <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; on radical pedagogy with partner network between KIT, NTNU \u2013<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Norwegian University of Science and Technology, Finish Academy of Fine<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Arts, Malmo Art Academy, Goldsmiths University of London, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Vilnius Academy of Arts;<BR>2007&nbsp;&nbsp;<EM>Art Institutions as Catalysts or Indicators,<\/EM> LCCA, Riga, Latvia;<BR>2007&nbsp;&nbsp;<EM>Land of Human Rights &#8211; Artistic and Activist Strategies <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; of Making Human Rights Visible,<\/EM> Rotor, Graz, Austria;<BR>2007&nbsp;&nbsp;<EM>Vilnius Media Seminar,<\/EM> Vilnius University, Vilnius;<BR>2007&nbsp;&nbsp;<EM>Fluxus is not dead, it just smells funny &#8230; conference <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &#8220;Fluxus &#8211; Networks Between West and East&#8221;.<\/EM> Berlin Art Forum, Berlin;<BR>2007&nbsp;&nbsp;<EM>Urban festival,<\/EM> Zagreb, Croatia;;<BR>2005&nbsp;&nbsp;<EM>Shifting Boundaries<\/EM>, KKH, Royal University College of Fine Arts, Stockholm;<BR>2005&nbsp;&nbsp;<EM>Soft Freedom,<\/EM>&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Trondheim MATCHMAKING festival of electronic art, Trondheim;<BR>2005&nbsp;&nbsp;<EM>Appendix.Kiss the Frog!<\/EM> Seminar with Tone Hansen,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The National Museum,the National Gallery, Oslo;<BR>2005&nbsp;&nbsp;<EM>Role of the museums of contemporary art,<\/EM>&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; International conference, MOCA, Belgrade;<BR>2005&nbsp;&nbsp;<EM>Navigating Globalisation<\/EM>, NTNU, Norway;<BR>2004&nbsp;&nbsp;<EM>Who If Not We<\/EM>, Stedelijk Museum, Amsterdam, The Netherlands;<BR>2004&nbsp;&nbsp;<EM>RAM6: Social interaction and collective intelligence<\/EM>,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; VILMA, CAC, Vilnius;<BR>2004&nbsp;&nbsp;<EM>Art. What is it good for?<\/EM> Dartington College of Arts, UK;<BR>2004&nbsp;&nbsp;<EM>A New Deal<\/EM>, AICA, Stockholm, Sweden;<BR>2003&nbsp;&nbsp;<EM>Gender and Cinema<\/EM>, GAP, Vilnius;<BR>2003&nbsp;&nbsp;<EM>Verbindingen\/Jonctions<\/EM>, Constant vzw, Brussels<BR>2003&nbsp;&nbsp;<EM>artist&#8217;s talk<\/EM>, Secession, Viena;<BR>2003&nbsp;&nbsp;<EM>Absence of voice is recovered<\/EM>, artist&#8217;s talk,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; OCA &#8211; International Studio Program in Oslo;<BR>2003&nbsp;&nbsp;<EM>workshop<\/EM> at Trondheim Academy of Fine Art, NTNU;<BR>2002&nbsp;&nbsp;<EM>lecture<\/EM> at Fachhochshule Darmstadt University of Applied Sciences;<BR>2002&nbsp;&nbsp;<EM>artist&#8217;s talk<\/EM>, platform program at Charlottenburg, Copenhagen;<BR>2002&nbsp;&nbsp;<EM>creative session<\/EM> at AWID&#8217;s 9th International Forum, Guadalajara, Mexico;<BR>2002&nbsp;&nbsp;<EM>artist&#8217;s talk<\/EM> at Transmediale salon, Podewil, Berlin;<BR>2002&nbsp;&nbsp;<EM>Djembe session<\/EM>, workshop, documenta 11, Kassel;<BR>2002&nbsp;&nbsp;<EM>TransMute, artist&#8217;s talk<\/EM> at Manifesta 4, Frankfurt a.M;<BR>2002&nbsp;&nbsp;<EM>presenation<\/EM> of <A href=\"http:\/\/www.transaction.lt\/\" target=_blank>http:\/\/www.transaction.lt\/<\/A>&nbsp;&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; at&nbsp;Contemporary Art Center, Vilnius;<BR>2002&nbsp;&nbsp;<EM>Transaction<\/EM>, creative session at Ludwig Museum Budapest;<BR>2002&nbsp;&nbsp;<EM>The Power of Communication<\/EM>, workshop,<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The Cube\/KTH Royal Technical University, Stockholm;<BR>2001&nbsp;&nbsp;<EM>Transaction workshop<\/EM>, Valand school of art, Goteborg University;<BR>2001&nbsp;&nbsp;<EM>Money &#8211; A Commentary On the New Economy<\/EM>, seminar,&nbsp;&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kulturhuset Stockholm;<BR>2000&nbsp;&nbsp;<EM>Art + Communication 3<\/EM>, new media art festival at E-LAB, Ryga;<BR>2000&nbsp;&nbsp;<EM>Minsk Connection<\/EM>, new media art conference at CRAC, Stockholm;<BR>2000&nbsp;&nbsp;<EM>Presence<\/EM>, media art conference &amp; workshop, Atelier Nord, Oslo;<BR>1999&nbsp;&nbsp;<EM>TEMP<\/EM>, tactical media project at Kiasma Contemporary Art museum, Helsinki;<BR>1999&nbsp;&nbsp;<EM>Changing The System?<\/EM>, symposium, NAI Rotterdam;<BR>1998&nbsp;&nbsp;<EM>XU-BIN<\/EM> conference of art and communication, Architects Union, E-LAB Riga;<BR><BR><BR><STRONG>screenings<BR><BR><\/STRONG>2007&nbsp;&nbsp;Still Here: humour in post-communist performative video. Art Space, Sidney;<BR>2006&nbsp;&nbsp;Sex and Sadness, Platform Garanti, Istanbul, Turkey;<BR>2006&nbsp;&nbsp;Sex and Sadness, Exploding Television &#8211; Satellite of Love \/<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Witte de With, center for contemporary art \/&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; International Film Festival Rotterdam;<BR>2005&nbsp;&nbsp;Femme Totale, International Film Festival, Dortmund, Germany;<BR>2004&nbsp;&nbsp;Klangraum, Festival of Contemporary Music, Stuttgart, Germany;<BR>2004&nbsp;&nbsp;Social Affairs, Den Haag, The Netherlands;<BR>2004&nbsp;&nbsp;Gender &amp; Media, Galerie f\u00fcr Zeitgen\u00f6ssische Kunst Leipzig;<BR>2004&nbsp;&nbsp;Show Unit, Riksutst\u00e4llningar, Sweden;<BR>2003&nbsp;&nbsp;Moving Territories, Merz Akademie \/ Akademie Schloss Solitude, Stuttgart;<BR>2003&nbsp;&nbsp;Baltxploitation, NY University, NY;<BR>2003&nbsp;&nbsp;It is hard to touch the real, Kunstverein Munich;<BR>2002&nbsp;&nbsp;Montreal International Festival of New Cinema and New Media, Canada;<BR>2002&nbsp;&nbsp;Transat video, Caen, France;<BR>2002&nbsp;&nbsp;48th International Short Film Festival Oberhausen;<BR><BR><BR><STRONG>projects<BR><BR><\/STRONG>2011&nbsp; <EM>Boston Chapter<\/EM>, at <EM>Disobedience Ongoing Archive<\/EM> project <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; co-curated together with&nbsp;Marco Scotini,&nbsp;MIT, Cambridge, MA;<BR>2011&nbsp; <EM>UTO-PIA<\/EM>, project for Contemporary Art Archipelago, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a respond to and a reflection on&nbsp;the environmental challenge, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; fragile ecosystem and biosphere&nbsp;of the Baltic sea;<BR>2010&nbsp; <EM>Splitnik: rereading of the book<\/EM>, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; translation project of the book \u201cBeyond Welfare\u201d (1974) by A.Kukarkin&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; on cultural criticism and analysis of the culture and ideology <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; of the capitalist world in the later twentieth century;<BR>2010&nbsp; <EM>River project<\/EM>, a study at river Thames <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; to rethink culture of sport and art;<BR>2008&nbsp; <EM>GVS (Guggenheim Visibility Study),<\/EM> an experimental pedagogy group <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; conducting case studies, field trips, documentation and archive <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; to research and underprop the planned Guggenheim Hermitage Museum in<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Vilnius;<BR>2007&nbsp; <EM>VILLA LITUANIA<\/EM>, research on deprivation, occupation and privatization <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; of a territory;<BR>2005&nbsp; <EM>pro-test lab<\/EM>, a generator and archive of all available forms of protest&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; against the situation\/disappearance of the biggest cinema theater <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;in Lithuania,&nbsp;called LIETUVA, focusing on the discourse of public space <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; vs corporate privatization; <BR>2003&nbsp; <EM>DRUZBA(friendship)<\/EM>, a study of psycho-geography of the network;<BR>2002&nbsp; <EM>Ruta Remake<\/EM>, study of voice;<BR>2002&nbsp; <EM>RAM: Re-Approaching New Media<\/EM>, &#8211; the crossing networks of <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; CRAC (Sweden), Atelier Nord;(Norway), E-Media Center (Estonia), <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Olento (Finland),&nbsp;RIXC (Latvia), VILMA (Lithuania);<BR>2002&nbsp; <A href=\"http:\/\/www.transaction.lt\/\" target=_blank>http:\/\/www.transaction.lt\/<\/A>&nbsp;&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ongoing web-documentation for TRANSACTION;<BR>2000&nbsp; <EM>TRANSACTION<\/EM>, interdisciplinary study of script of the victim;<BR>1998\/99&nbsp; <EM>tvvv.plotas<\/EM>, interdisciplinary project: television, videoconference, <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; net-cast;<BR>1997&nbsp; <EM>Ground Control<\/EM>, technology and utopia: a book, website and exhibition,&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a collaboration between Beaconsfield, London and jutempus, Vilnius;<BR><BR><BR><STRONG>audio\/video\/publications\/production<BR><BR><\/STRONG>2008&nbsp; Nomeda &amp; Gediminas Urbonas. Devices For Action. \/&nbsp;book [in English,<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Spanish, Catalan], Barcelona: Museu d&#8217;Art Contemporani de Barcelona;<BR>2008&nbsp; Nomeda &amp; Gediminas Urbonas. VILLA LITUANIA. \/ book [in English],<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Berlin, New York: Sternberg Press;<BR>2007&nbsp; AMBASSADOR IN EXILE.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 11\u201926\u201d;<BR>2007&nbsp; DEFENDING THE LOFT.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 7\u201948\u201d;<BR>2007&nbsp; REHEARSAL AT THE PALACE OF CULTURE AND SPORTS.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 7\u201931\u201d;<BR>2007&nbsp; DEFENDING THE VILLA. GRAFFITI.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 5\u201948\u201d;<BR>2007&nbsp; DEFENDING THE VILLA. THE LATVIANS.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, B&amp;W, sound, 1\u201958\u201d;<BR>2007&nbsp; ARCHITECTURE WORKSHOP (HEART &amp; HEARTH).<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, B&amp;W, sound, 1\u201918\u201d;<BR>2007&nbsp; CALLING THE RUSSIANS.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 1\u201937\u201d;<BR>2007&nbsp; AMBASSADOR&#8217;S SONG.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 3\u201932\u201d;<BR>2006&nbsp; LIETUVA. SOLD OUT.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 17\u2019;<BR>2005&nbsp; Cinemas disappeared.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, 5\u2019;<BR>2005&nbsp; VIP market.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 3\u2019;<BR>2005&nbsp; pro-test lab slide show.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, 20\u201927\u201d;<BR>2005&nbsp; SOLD OUT.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 14\u201920\u201d;<BR>2005&nbsp; America will help us.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 2\u2019;<BR>2005&nbsp; Dogs barking will not disturb the clouds.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound,&nbsp; 2\u2019;<BR>2005&nbsp; Human-chain of Swimming Enthusiasts.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 3\u2019;<BR>2005&nbsp; TV bridge: Oslo&#8212;LIETUVA.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 15\u2019;<BR>2005&nbsp; tvvv.plotas. TV space. A set of 10 DVDs, 30\u2019 each, Vilnius: jutempus; <BR>2005&nbsp; Ruta remake. Dresden mix. CD, 40\u2019, Kunsthaus Dresden; <BR>2004&nbsp; Ruta Remake voice archive mix live. CD, 46\u2019, Vilnius: CAC;<BR>2004&nbsp;&nbsp;Image of women. Documentary film program. <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, 55\u2019\u2019;<BR>2002&nbsp; TRANSACTION. Psychiatrists\u2019 Session.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, English subtitles, 27\u2019;<BR>2002&nbsp; TRANSACTION. ANIMATION. psycho session . <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; BETA transferred to DVD, colour, sound, English subtitles, 32\u2019;<BR>2002&nbsp; TRANSACTION. Interviews With Women About Voice.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, English subtitles, 23\u2019;<BR>2001&nbsp; KARAOKE. Mini DV transferred to DVD, colour, sound, 15\u2019;<BR>2001&nbsp; Media and Gender Order. Lithuanian Peculiarities. CD-ROM [in English],&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Vilnius: jutempus;<BR>2001&nbsp; TRANSACTION. notebook [in English], Vilnius: jutempus; <BR>2000&nbsp; TRANSACTION. CD-ROM [in English], Vilnius: jutempus;<BR>2000&nbsp; TRANSACTION. Psychiatrists\u2019 Session.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; BETA transferred to DVD, colour, sound, English subtitles, 27\u2019;<BR>2000&nbsp; TRANSACTION. Film archive (compilation used at the psychiatrists\u2019<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; session).&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, b\/w, sound, English subtitles, 27\u2019;<BR>2000&nbsp; TRANSACTION. Interviews With Women About Films.&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mini DV transferred to DVD, colour, sound, English subtitles, 30\u2019;<BR>1999&nbsp; tvvv.plot&#8217;as archive. Interactive video, quicktime, colour, 150\u2019;<BR>1999&nbsp; tvvv.plotas. TV program in 10 parts 30\u2019 each, BETA, colour, sound;<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CV Nomeda &amp; Gediminas Urbonas have established an international reputation for socially interactive and interdisciplinary practice exploring the conflicts and contradictions posed by the economic, social, and political conditions in the former Soviet countries. They develop models for social and artistic practice with the interest to design organizational structures that questions the relativity of freedom. &#8230; <a title=\"cv\" class=\"read-more\" href=\"https:\/\/nugu.lt\/dossier\/?p=30\" aria-label=\"Read more about cv\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[256,286],"class_list":["post-30","post","type-post","status-publish","format-standard","hentry","category-cat-en-214","tag-en","tag-old-id-366"],"_links":{"self":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/30","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30"}],"version-history":[{"count":0,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/30\/revisions"}],"wp:attachment":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=30"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=30"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}