{"id":34,"date":"2025-12-10T20:26:39","date_gmt":"2025-12-10T20:26:39","guid":{"rendered":""},"modified":"2025-12-15T20:06:54","modified_gmt":"2025-12-15T20:06:54","slug":"news-en-370","status":"publish","type":"post","link":"https:\/\/nugu.lt\/dossier\/?p=34","title":{"rendered":"Ruta Remake at Secession, Viena"},"content":{"rendered":"<p><P><FONT style=\"BACKGROUND-COLOR: #000000\" color=#ffffff>Ruta Remake<\/FONT><BR><BR>sign system, amplifier, surround system, cables, light system, computer, theramidi \/ Secession, Viena \/ 2003<BR><BR><IMG src=\"\/dossier\/wp-content\/uploads\/2025\/12\/rr_secession_01.jpg\"><BR><BR>As the term &#8220;remake&#8221; suggests, the work is programmed to subvert existing narratives to operate within a further scenario. The construction site of Ruta Remake in the Secession provides an opportunity to reconstitute the piece by accepting the&nbsp; challenge of symbolic language inherent in Olbrich&#8217;s architecture. Ruta Remake defines its own space as a perceptual model that joins together the grounded symptomatic mechanism of the Secession to breed a new scripting pattern. <\/P><br \/>\n<P>The victory celebrated by the laurel tree growing into the foliage of the dome over and above the building itself, is undermined by the digital strategy of a feminine Ruta plant. The Ruta grows through the cables and wires to the ceiling of the Kreuzraum to return as a reading of the laurel cupola. The voices that chart the walls of the unfolded notation system, perform the polyphonic operation that works through analysis of the institutional architecture.<\/P><br \/>\n<P>The control apparatus of the dome is superseded by a set of mechanisms performed by film light, theramidi device, and computer-generated audio pattern as agents which deconstruct the cinematic apparatus from the inside out. A user&#8217;s hand moving up into the light and down into the shadows turns the narrative into the script and the place into an operation. <\/P><br \/>\n<P>The weaving structure of the Ruta pattern instigates and controls the behavior of the notation system that transforms the space into an informational model. The script-based logic operating through a midi-controlled apparatus replants the roots of the organic world to transgress the hallucinatory scenario suggested by the underside of the laurel leaves.<BR><BR><IMG src=\"\/dossier\/wp-content\/uploads\/2025\/12\/rr_secession_02.jpg\"><\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ruta Remakesign system, amplifier, surround system, cables, light system, computer, theramidi \/ Secession, Viena \/ 2003As the term &#8220;remake&#8221; suggests, the work is programmed to subvert existing narratives to operate within a further scenario. The construction site of Ruta Remake in the Secession provides an opportunity to reconstitute the piece by accepting the&nbsp; challenge of &#8230; <a title=\"Ruta Remake at Secession, Viena\" class=\"read-more\" href=\"https:\/\/nugu.lt\/dossier\/?p=34\" aria-label=\"Read more about Ruta Remake at Secession, Viena\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[256,290],"class_list":["post-34","post","type-post","status-publish","format-standard","hentry","category-cat-en-219","tag-en","tag-old-id-370"],"_links":{"self":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/34","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=34"}],"version-history":[{"count":2,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/34\/revisions"}],"predecessor-version":[{"id":1144,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/34\/revisions\/1144"}],"wp:attachment":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=34"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=34"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=34"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}