{"id":35,"date":"2025-12-10T20:26:39","date_gmt":"2025-12-10T20:26:39","guid":{"rendered":""},"modified":"2025-12-15T20:08:58","modified_gmt":"2025-12-15T20:08:58","slug":"news-en-371","status":"publish","type":"post","link":"https:\/\/nugu.lt\/dossier\/?p=35","title":{"rendered":"Ruta Remake at bb3 Berlin"},"content":{"rendered":"<p><P><FONT style=\"BACKGROUND-COLOR: #000000\" color=#ffffff>Ruta Remake<\/FONT><BR><BR>sign system, sound system, cables, light system, computer, theramidi, curtain \/ 3rd berlin biennial, Martin-Gropius-Bau, Berlin \/ 2004<BR><BR><IMG src=\"\/dossier\/wp-content\/uploads\/2025\/12\/bb3_01.jpg\">&nbsp;&nbsp; <IMG src=\"\/dossier\/wp-content\/uploads\/2025\/12\/bb3_02.jpg\">&nbsp;<BR><BR><IMG src=\"\/dossier\/wp-content\/uploads\/2025\/12\/bb3_03.jpg\">&nbsp;&nbsp; <IMG src=\"\/dossier\/wp-content\/uploads\/2025\/12\/bb3_04.jpg\"><BR><BR>\u201cRuta Remake\u201d defines its own performative space as a perceptual model that joins the grounded symptomatic mechanism of the media to breed it with a new script pattern. As the term \u201cremake\u201d suggests, the work intends to subvert an existing narrative to operate within a further scenario.<BR><BR><IMG style=\"WIDTH: 230px; HEIGHT: 306px\" height=296 src=\"\/dossier\/wp-content\/uploads\/2025\/12\/bb3_07.jpg\" width=230>&nbsp;&nbsp;&nbsp;<IMG src=\"\/dossier\/wp-content\/uploads\/2025\/12\/bb3_08.jpg\"><BR>&nbsp;&nbsp; <BR><IMG src=\"\/dossier\/wp-content\/uploads\/2025\/12\/bb3_06.jpg\">&nbsp;&nbsp; <IMG style=\"WIDTH: 230px; HEIGHT: 306px\" height=297 src=\"\/dossier\/wp-content\/uploads\/2025\/12\/bb3_09.jpg\" width=230><\/P><br \/>\n<P>The woven linen curtain closes the window light in the space of Martin-Gropius-Bau to supply the underlying condition of the performative machinery that operates with and within the\u201cRuta Remake\u201d. The curtain, as suppressive institution, as chador, that controls the appearing voices, introduces a work by female workers from a linen weaving factory who join to create a new pattern. The curtain as an element between this reality and other realities reveals the link with the world that is on the other side of the screen. <\/P><br \/>\n<P>\u201cRuta Remake\u201d grows through cables and wires to the ceiling of the space to return as a reading of&nbsp; the cinematic mechanism. The voices that chart the walls of the unfolded notation system perform the polyphonic operation that works through the analysis of the institutional architecture.<BR><BR><IMG src=\"\/dossier\/wp-content\/uploads\/2025\/12\/bb3_05.jpg\"><\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ruta Remakesign system, sound system, cables, light system, computer, theramidi, curtain \/ 3rd berlin biennial, Martin-Gropius-Bau, Berlin \/ 2004&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; \u201cRuta Remake\u201d defines its own performative space as a perceptual model that joins the grounded symptomatic mechanism of the media to breed it with a new script pattern. As the term \u201cremake\u201d suggests, the work &#8230; <a title=\"Ruta Remake at bb3 Berlin\" class=\"read-more\" href=\"https:\/\/nugu.lt\/dossier\/?p=35\" aria-label=\"Read more about Ruta Remake at bb3 Berlin\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[256,291],"class_list":["post-35","post","type-post","status-publish","format-standard","hentry","category-cat-en-219","tag-en","tag-old-id-371"],"_links":{"self":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/35","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=35"}],"version-history":[{"count":2,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/35\/revisions"}],"predecessor-version":[{"id":1145,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/35\/revisions\/1145"}],"wp:attachment":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=35"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=35"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=35"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}