2008 <\/P><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42],"tags":[256,317],"class_list":["post-62","post","type-post","status-publish","format-standard","hentry","category-cat-en-260","tag-en","tag-old-id-398"],"_links":{"self":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/62","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=62"}],"version-history":[{"count":1,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/62\/revisions"}],"predecessor-version":[{"id":1382,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=\/wp\/v2\/posts\/62\/revisions\/1382"}],"wp:attachment":[{"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=62"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=62"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nugu.lt\/dossier\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=62"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/STRONG>ABC Cataluna<\/FONT><\/A><\/FONT> \/ page 9, 14 03 2008
Modern Painters<\/FONT><\/A><\/FONT> \/ page 29, March 2008
HoyCatalunya<\/FONT><\/A><\/FONT> \/ page 51, March 14, 2008
guide out to BARCELONA<\/FONT><\/A><\/FONT> \/ March 2008
LA RAZON Cataluna<\/FONT><\/A><\/FONT> \/ page 44, 17 03 2008
EL PAIS<\/FONT><\/A><\/FONT> \/ page 51, 14 03 2008
EL MUNDO Cataluna<\/FONT><\/A><\/FONT> \/ page 64, 14 03 2008
LA VANGUARDIA<\/FONT><\/A><\/FONT> \/ page 28, 17 03 2008
2007
<\/STRONG><\/FONT>
VILLA LITUANIA<\/FONT><\/A><\/FONT> \/ Nomeda & Gediminas Urbonas, Simon Rees (ed.): Villa Lituania<\/EM>.
Berlin, New York: Sternberg Press, 2007
un.<\/FONT><\/A><\/FONT> \/ review by Dunja Rmandic, page 66-67, 2007
Die Lucken zwischen den Bildern<\/FONT><\/A><\/FONT> \/ Heiser, Joerg: \u201cDie Lucken zwischen den Bildern\u201d, Suddeutsche Zeitung<\/EM>, n.130 (June 9-10) 2007
ARTE TV<\/FONT><\/A> \/ Hofer, Gustav: \u201cFree like birds. Venise, le 52eme Biennale\u201d, Arte TV<\/EM> blog (June) 2007
DOMUS<\/FONT><\/A> \/ Gabri, Renne: \u201cLithuania: skipping over history\u201d. DOMUS<\/EM> web, (June 8) 2007
L\u2019UOMO VOGUE<\/FONT><\/A><\/FONT> \/ Piccoli, Cloe: \u201cGediminas e Nomeda Urbonas\u201d, L\u2019uomo Vogue<\/EM>, n.381 (May-June) 2007
VERNISAGE. ART NEWSPAPER SPECIAL<\/FONT><\/A><\/FONT> No.84 (July-August) 2007
<\/FONT>
Villa Lituania: flying in the face of history<\/FONT><\/A><\/FONT> \/ Think With Senses – Feel with the Mind, 52nd Biennale di Venezia <\/EM>[exh.cat.], text by Simon Rees, 2007
Progressive Nostalgia<\/FONT><\/A><\/FONT> \/ Misiano, Viktor (ed.): Progressive Nostalgia<\/EM>. Luigi Pecci Centre for Contemporary Art, Prato [exh.cat.] 2007
2006<\/STRONG>
6th Gwangju Biennale<\/FONT><\/A> \/ Ricupero, Cristina: \u201cThe Last Chapter_Trace Route: Remapping Global Cities\u201d, Fever variations. 6th Gwangju Biennale<\/EM> [exh.cat.] 2006
2005<\/STRONG>
THE POPULIST<\/FONT><\/A> \/ a newspaper of Populism,<\/EM> NIFCA, 2005
Flash Art<\/FONT><\/A> \/ Kuzma, Marta: \u201cOn the Shoulders of Giants\u201d, Flash Art<\/EM> (January-February) 2005
Penkios<\/FONT><\/A> temos… <\/FONT><\/FONT>\/ Zukauskaite, Audrone; Malasauskas, Raimundas: \u201cPenkios temos ir issetines variacijos on Nomeda and Gediminas Urbonas project Ruta Remake\u201d, Siaures Atenai<\/EM>, n.31 (August 21) 2005
Apparatus<\/FONT><\/A> and Voice…<\/FONT> \/ Jorge Blasco Gallardo: Apparatus and Voice: This is no Piano. Emisija. Emission. <\/EM>Vilnius: CAC <\/EM>[exh.cat.] 2005
Nomeda and Gediminas Urbonas: voice from the black box<\/FONT><\/A><\/FONT> \/ Narusyte, Agne: \u201cNomeda and Gediminas Urbonas: The Voice from the Black Box\u201d, Daile<\/EM>, n. 1\/2005
Femme totale<\/FONT><\/A> \/ [filmfestival cat.] (April 12-17) 2005
Madonna<\/FONT><\/A> \/ Mennicke, Christiane (ed.): Madonna<\/EM>. Dresden: Kunsthaus Dresden [exh.cat.] 2005
2004<\/STRONG>
KUNSTFORUM<\/FONT><\/A><\/FONT> \/ March – April 2004
ISEA 2004<\/FONT><\/A><\/FONT> \/ ISEA 2004, publication of the International Symposium of Electronic Art<\/EM> [exh.cat.] 2004
FILLES<\/FONT><\/A><\/FONT> \/ Zaya, Octavio: FILES<\/EM>. Castillia Y Leon: MUSAC, 2004
Extended Views<\/FONT><\/A> \/ Maastricht \/ 15-31 October 2004
EXIT Express<\/FONT><\/A> \/ Vanhala, Jari-Pekka: \u201cLa vida en tiempos de transparencia\u201d, EXIT Express<\/EM>, n.7 (November 15) 2004
FUNDAMENTALISMS OF THE NEW ORDER<\/FONT><\/A> \/ Brandt, Charlotte; Larsen, Lars Bang; Ricupero, Cristina (ed.): Fundamentalisms of the New Order<\/EM>. Helsinki, Copenhagen and New York: NIFCA, Charlottenborg and Lukas & Sternberg [exh.cat.] 2004
2003<\/STRONG>
Fate of Alien Modes<\/FONT><\/A><\/FONT> \/ Ruhm, Constanze (ed.): The Fate of Alien Modes<\/EM>. Vienna: Secession [exh.cat.] 2003
Klassenkampen<\/FONT><\/A><\/FONT> \/ Strommen, Marit: \u201cInterview with N ir G Urbonai\u201d, Klassenkampen<\/EM> (August 11)
Klassenkampen<\/FONT><\/A><\/FONT> \/ (February 8) 2003
The Labyrinthine Effect<\/FONT><\/A> \/ Engberg, Juliana (ed.): The Labyrinthine effect<\/EM>. Melbourne: ACCA [exh.cat.] 2003
2002<\/STRONG>
KUNSTFORUM<\/FONT><\/A><\/FONT> \/ August – Oktober 2002
Documenta 11<\/FONT><\/A><\/FONT> documenta [ed.]: Documenta11_Platform5: Exibition<\/EM>. Kassel: Documenta GmbH and Hatje Cantz [exh.cat.]
DER SPIEGEL<\/FONT><\/A> \/ No. 23 (June 3) 2002
die tageszeitung<\/FONT><\/A> \/ Schnurr, Eva-Maria: \u201cNomeda und Gediminas Urbonas: Transaction-Projekt\u201d, die tageszeitung<\/EM> (September 6) 2002
NEID # 9<\/FONT><\/A> <representin’> \/ Tan, Pelin: \u201cGlobal Resistance Now\u201d, NEID<\/EM>, no.9, 2002
Transactions of Budapest<\/FONT><\/A><\/FONT> \/ Kreivyte, Laima: \u201cBudapest transakcions\u201d, 7 meno dienos<\/EM> (February 1) 2002
2001<\/STRONG>
Artscape Nordland<\/FONT><\/A><\/FONT> \/ Jaukkuri, Maaretta (ed.); Bauman, Zygmunt; Blom, Ina: Artscape Nordland<\/EM>. Nordland Fylkeskommune, 2001
A chat conversation with Fareed Armaly<\/FONT><\/A><\/FONT> \/ Stuttgart-Stockholm \/ January 2001
TRANSACTION<\/FONT><\/A><\/FONT> \/ ARRHENIUS, Sara: Transaction, IASPIS, Sweden [exh.cat.] 2001
2000<\/STRONG>
STUTTGARTER NACHRICHTEN<\/FONT><\/A> \/ Kachelriess, Andrea: \u201cIrgendwie pradestiniert fur die opferrolle\u201d, Stuttgarter Nachrichten<\/EM> (November 8) 2000
STUTTGARTER ZEITUNG<\/FONT><\/A> \/ (October 16) 2000
From # 3 \/ Witte de With<\/FONT><\/A> \/ Strangers & Paradise, FROM #3<\/EM>. Rotterdam: Witte de With Centre for Contemporary Art, December 2000
Independent on Sunday<\/FONT><\/A> \/ Mclaren, Duncan: \u201cA Mixed Bag From the Curators\u2019 Bulging Suitcase\u201d, Independent<\/EM>, no. 38 (August 27) 2000
1999<\/STRONG>
Changing the System?<\/FONT><\/A> \/ Changing the System? Artists talk about their practice<\/EM>. Rotterdam: Witte de With Centre for Contemporary Art; Helsinki: NIFCA, April 1999
ACOUSTIC SPACE<\/FONT><\/A> \/ Urbonas, Nomeda & Gediminas: \u201ctvvv.plotas statement\u201d, Acoustic Space<\/EM> no. 2, E-LAB, 1999<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"